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There are many instances of foreigners entering the Japanese music industry to try and make a name. It's understandable, seeing as Japan boasts one of the largest music industries in the world Some of these artists are already famous at home, others kinda, couldn't make it at home, so they ventured to Japan to see if they could make it big.
I hope I'm not being too presumptuous in classifying them into these 2 categories, but here are a few examples off the top of my head:
Already Famous in Home Country, Expanding Base
- DBSK/TVXQ [Korea]
- Kara [Korea]
- Big Bang [Korea]
- Rainie Yang [Taiwan]
Couldn't Make it in Home Country, Trying Their Luck
- Utada Hikaru [USA]
- Itou Yuna [Hawaii]
- Monkey Majik [Canada]
- Jero [USA]
What are your opinions on these singers/groups moving into the Japanese market? Are they a threat to "authentic"/"local" Japanese talents?
There have also been some calls for these artistes, despite singing in Japanese, to be ranked on a separate chart and not the "Hougaku" (Japanese music) charts by Oricon to give local artistes a chance to get higher ranks. What do you think?
One foreign artist I know is Beckii Cruel, but I prefer not to talk about her. LOL My favourite gaijin musicians are Monkey Majik and Jero. I also like BoA too.
Hmm, I feel a bit uncomfortable about that since it's ostracizing these artists in a way.Quote:
Ah, Beckii Cruel I obviously blocked her from my memory She got to where she is based on luck - she's not particularly a good dancer, nor can she really sing. But other gaijin like DBSK, Monkey Majik and Jero actually have talent.
So in their case I don't really mind that they're "invading" the J-music scene. In fact, if these talented gaijin artists come to Japan, they could raise the quality of Japanese music not only in the way you've mentioned (bringing different culture), but even raising competitiveness and raising the bar for local artists too.
Usually I would agree with you about not putting foreign artists who sing in Japanese on a different chart. But I remember there was a certain week last year I think, where the top 10 or so were ALL Korean artists That was pretty bad, even truly talented local artists were pushed all the way off the top 10 because of Korean boy bands and what not
Competitiveness is always good. Hopefully it'll motivate the local artists to produce the best quality songs.Quote:
I never knew that! Now that I know about the context of the situation, it definitely gives a whole new light. I can see where Oricon is coming from with a prospective "Hougaku" ranking.Quote: