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For me, it was just an idea that he had and liked, then he drew the oneshot just for personal entertainment, not a big deal.
Yeah, I thought that too. But, since Shueisha released the video for instruction of Drump, I think Shueisha does consider about to make Drump into next big franchise.For me, it was just an idea that he had and liked, then he drew the oneshot just for personal entertainment, not a big deal.
I want to see Takeshi Obata's art again, but without Tsugumi Ohba as the writer.So out of all past serialized mangaka's with that aren't currently in the magazine, who would you guys like most to see serialized again?
I never really thought it was that much of a loss to Shueisha considering all the other series they put out and then the output of Kodansha. I guess if Attack on Titan had been a weekly then maybe my opinion would change because then itd pretty much be set for a super popular title for many years...with Kurobas and Assassination Classroom and upcoming Haikyuu!! (assuming anime makes them all big), I think they managed to still thrive even without having Isayamas Titan.Which one do you guys think has more damage? Shueisha losts Isayama to Kodansha? Or Kodansha losts Takahashi to Shueisha?
They can release the cardgame without make a series, maybe? Seems a really interesting game, but I haven't read the oneshot yet to understand more about that.Yeah, I thought that too. But, since Shueisha released the video for instruction of Drump, I think Shueisha does consider about to make Drump into next big franchise.
If Shueisha does want to promote Drump, then I'm pretty sure they going to serialize Drump; one shot isn't enough for it.They can release the cardgame without make a series, maybe?
It is kind of like a mixture of trump and Yu-Gi-Oh.Seems a really interesting game, but I haven't read the oneshot yet to understand more about that.
Whoever did ST&RS must come back, excellent character designer.So out of all past serialized mangaka's with that aren't currently in the magazine, who would you guys like most to see serialized again? I personally really want a new Toshiaki Iwashiro series.
Also, while Mutou Black was the opposite of popular I personally really liked Mutou Black and really want to see Daijiro Nonoue back as well.
Hm, speaking of a writer/artist duo. I'd love to see Yuuki Tabata return as only an artist but paired with a writer. Because while Hungry Joker was horribly written and felt like it was written by an edgy 10 year old, his art and panelwork I thought were really really good.I want to see Takeshi Obata's art again, but without Tsugumi Ohba as the writer.
The question is if Takashi has this intention, too. He only serialize if he wants, he is already rich enough to feed 7 generations. XDIf Shueisha does want to promote Drump, then I'm pretty sure they going to serialize Drump; one shot isn't enough for it.
That's the question only Takahashi knows.The question is if Takashi has this intention, too. He only serialize if he wants, he is already rich enough to feed 7 generations. XD
Why do you have this desire? Ohba and Obata is the most successful duo that I know, all that they did made success.I want to see Takeshi Obata's art again, but without Tsugumi Ohba as the writer.
Yeah, all we can do is wait, then.That's the question only Takahashi knows.
Takahashi doesn't really have to draw himself; he can actually paired with an illustrator (like for Yu-Gi-Oh 5D's and Zexal).Takahasi is in his 50's, I think the chances of him doing a weekly serialization in such a cut-throat magazine as Jump are pretty much zero. If anything he'll come out with this one-shot and depending on the reception they might try and market the game and maybe come out with a monthly manga or maybe an anime. I can't see this game getting big with Western audiences though seeing how this isn't a TCG and looks to be more of a basic strategy game (which are pretty popular in Japan).
I think if they are really trying to push DRUMP forward as a big media franchise then they should go with Shonen Jump since it has wide audience, doesnt have anything else like this before, and some level of international market.Takahashi doesn't really have to draw himself; he can actually paired with an illustrator (like for Yu-Gi-Oh 5D's and Zexal).
Hack, he doesn't really have to serialize in Shounen Jump; he can serialize in either V Jump or Saikyou Jump (or even Jump SQ.).
But, it is kind of too risky for Drump to serialize in Shounen Jump. Jump cancels the series if it didn't get good ranking and this goes same for the popular authors as well. So, if Drump didn't get good reception in Jump, then it most likely going to end it and it really doesn't get much promotion.I think if they are really trying to push DRUMP forward as a big media franchise then they should go with Shonen Jump since it has wide audience, doesnt have anything else like this before, and some level of international market.
But, it is kind of too risky for Drump to serialize in Shounen Jump. Jump cancels the series if it didn't get good ranking and this goes same for the popular authors as well. So, if Drump didn't get good reception in Jump, then it most likely going to end it and it really doesn't get much promotion.
So, if Shueisha does decide to serialize Drump, then I think it'll most likely going to either V Jump or Saikyou Jump since Takahashi currently has more relationship with those two magazines than Jump and it is more safer to serialize those two than Shounen Jump.
Because it is more beneficial to release the one shot in Shounen Jump in other magazines. The serialization is too risky, but it doesn't really have much risk for one shot.But then why put the one shot in Jump in the first place. If they wanted that then it could have just been a new series joining one of those magazines in place of say Gyrozetter or something.
They're still both series/authors that were turn down, only to go to another publisher and have huge success. The factors of their success are indeed different, so the question isn't really answerable without concrete numbers and facts. I'd say it's a bigger deal to lose out on Yugioh, Jump has successful series whenever they wish it these days. Not comparable to SnK necessarily, but much more than most.It's honestly kind of entirely incomparable. Yugioh was a massive worldwide success (mainly due to it's card-game, and got worldwide success due to being brought to western markers in the big anime boom of the late 90's/early 2000's) but at the same time Takahashi hasn't really done anything else other than Yugioh. Isayama however has some pretty decent popularity in Japan, and for a manga/anime post western anime-boom is doing pretty well in Western markets as well, Isayama also will probably work on more series after SnK is over with. The two are both incomparable due to being in different genres, and why and when they rose to popularity and several other factors as well. It's really just kind of a dumb question.
Agreed. Two Oneshots in three years isn't enough for me.So out of all past serialized mangaka's with that aren't currently in the magazine, who would you guys like most to see serialized again? I personally really want a new Toshiaki Iwashiro series.
Ohba/Obata combination.So out of all past serialized mangaka's with that aren't currently in the magazine, who would you guys like most to see serialized again? I personally really want a new Toshiaki Iwashiro series.
For Kishimoto is probably Mario, after all promotion and etc, i really think he maybe can turn Mario in a serie, seems like he's really likes the storyOhba/Obata combination.
I wanna see what Kishimoto and Kubo do after Naruto and Bleach end. They serialized a shonen battle manga for more than a decade. Wanna know if they will do something else or just stick to the same genre.