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Gon could work.
But, well, y’know.

But, well, y’know.


Gon lost that right when he literally took another human being hostage. Kinda hard to look at him the same way after that.Gon could work.
But, well, y’know.
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Cuz Luffy would never do anything like that.Gon lost that right when he literally took another human being hostage. Kinda hard to look at him the same way after that.
To me it's going to be Shiro from Act-Age. She has the biggest evolution to me in the current magazine from chapter 1 to now in paneling, designs, details on the art, coloring in the color pages and overall. Which is even more impressive when she's like 20 so her evolution on the manga is directly related to her evolution as an artist since she's so young.Which current wsj mangaka do you guys think has improved his/her art the most from when they started?
This is still one of the biggest evolutions in art that I saw in manga. Rosario to Vampire already got that during the last volumes of the original manga but in the season II manga, jesus, what a difference. And yeah, I miss the manga as well. I really wish that the mangaka made a new work but he never did anything again.Currently, I would say Kimetsu no Yaiba as well. One of my favorite Jump (not WSJ which probably belongs to Bleach or Reborn) art improvements is probably this one which was a monthly series. Still missing Rosario to Vampire!
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This small child is going to suffer in unspeakably horrific ways.And damn, I forgot about the first volume cover.
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I wouldn't say that the art of yunna is wasted on ecchi. If anything, it's a strong point to it considering how great he is in his artstyle and designs and an ecchi needs this for obvious reasons as hot characters are one of the appeal.I think the art of Black clover is good, and the one of yuuna is also, despite being wasted with ecchi.
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another who has a good art is the author of Kamio yui, although I do not like the manga, he has a good art.
I feel like Saikyo Jump would have been cancelled long ago if this were truly the caseWhile we're on the subject of "silliness", I think it's worth bringing up that the thing which has caused its decline has been the internet. Silly, comical things appeal to kids mostly, and they now have venue where they can get it without having to pay money. In the end, Jump only supports the series that can actually earn them money, and there's really nothing in traditionally "silly" manga which can get that kind of draw now that there are cheaper venues for it.
Are the editors on Saikyo Jump and V Jump the same as wsj though? I always thought it was a different editorial, asme for SQ Jump.I feel like Saikyo Jump would have been cancelled long ago if this were truly the case
Curved lines → Angular lines.Yu-Gi-Oh's art improved drastically as it went on. Hard to believe the same person is in both pics
Chapter 1 of the pre-Duel arc vs Millenium World (final arc)
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Aren't most of Saikyo Jump's manga established properties? I feel like there's a familiarity which contributes there. Not to mention, issues of Saikyo Jump are much cheaper than manga volumes, so the comparison doesn't really work.I feel like Saikyo Jump would have been cancelled long ago if this were truly the case
Thing with Yu Gi Oh is that the art improved so quickly too. He was pretty much drawing like the second image by the end of his first year of serialisation. Some of the monster scenes in the Kaibaland and Bakura arcs pre-duel monsters are truly a sight to behold.Yu-Gi-Oh's art improved drastically as it went on. Hard to believe the same person is in both pics
Chapter 1 of the pre-Duel arc vs Millenium World (final arc)
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