Mag Talk Weekly Shonen Jump [2019] - Discussion and TOC Talk

Status
Not open for further replies.

Jovan

Registered User
英雄メンバー / Eiyuu Menbaa / Hero Member
Joined
Dec 20, 2018
Messages
2,245
Reaction score
5,772
Age
29
Country
United States
Book-rank sales estimates for WSJ and Jump+ volumes that did not rank on Oricon Top 50 (numbers for the first 4 days)

Black Clover Quartet Knights Vol 2: 14,415
Mato Seihei no Slave Vol 2: 7,310
Kamio Yui wa Kami wo Yui Vol 1: 5,221

Heart Gear Vol 1: 4,895
Koisuru One Piece Vol 2: 3,725
Saigo no Saiyuuki Vol 1: 2,294

Shishunki Renaissance David-Kun Vol 4: 2,290
Slime Life Vol 5: 2,109
Slime Life Vol 6: 2,085
Arata Primal Vol 2: 2,056
Ne0lation Vol 3: 1,362
 

animeexpert

Registered User
英雄メンバー / Eiyuu Menbaa / Hero Member
Joined
Jun 1, 2019
Messages
1,635
Reaction score
1,269
Age
30
Country
Norway
Book-rank sales estimates for WSJ and Jump+ volumes that did not rank on Oricon Top 50 (numbers for the first 4 days)

Black Clover Quartet Knights Vol 2: 14,415
Mato Seihei no Slave Vol 2: 7,310
Kamio Yui wa Kami wo Yui Vol 1: 5,221

Heart Gear Vol 1: 4,895
Koisuru One Piece Vol 2: 3,725
Saigo no Saiyuuki Vol 1: 2,294

Shishunki Renaissance David-Kun Vol 4: 2,290
Slime Life Vol 5: 2,109
Slime Life Vol 6: 2,085
Arata Primal Vol 2: 2,056
Ne0lation Vol 3: 1,362
Why do I have an feeling, yui might pull the kimetsu
 

Serinox

Registered User
英雄メンバー / Eiyuu Menbaa / Hero Member
Joined
Dec 24, 2017
Messages
1,929
Reaction score
4,784
Country
Dragonstone
I am also thinking that Mashima might start a new series in Jump, after all WSJ is the highest selling magazine in Japan.
So what? Plenty of series outside of Jump sell much more in the volume sales than what their magazine has in publication numbers each week. Biggest example is of course AoT, but that's just the most extreme case.

Also, Eden's Zero is 99% getting an anime, especially with Seven Deadly Sins on its way out, so I don't really see any way how Mashima would come to Jump for any type of long-term deal any time soon.
 

Jovan

Registered User
英雄メンバー / Eiyuu Menbaa / Hero Member
Joined
Dec 20, 2018
Messages
2,245
Reaction score
5,772
Age
29
Country
United States
Why do I have an feeling, yui might pull the kimetsu
From what I remember, Kimetsu Vol 1 had a #31 1st Shoseki ranking, and did around 10k in just 3 days. Vol 1 would have certainly appeared on Oricon chart if there were more days in the week for it.

Not sure from where it comes that Kimetsu was a disaster in the beginning, when it wasn't. Like I said before, it never went as low as Kamio Yui did, neither on TOC nor in sales.
 

Arjuna

The Emperor Who Rules the World
伝説メンバー / Densetsu / Legendary Member
Joined
Oct 31, 2015
Messages
16,366
Reaction score
25,476
Age
31
Gender
Male
Country
India
So what? Plenty of series outside of Jump sell much more in the volume sales than what their magazine has in publication numbers each week. Biggest example is of course AoT, but that's just the most extreme case.

Also, Eden's Zero is 99% getting an anime, especially with Seven Deadly Sins on its way out, so I don't really see any way how Mashima would come to Jump for any type of long-term deal any time soon.
It is not a first time an author published 2 manga in different magazine.

Like Real and Vagabond by Inoue.


Maybe I am putting the carriage before horse but who knows.
 

Jovan

Registered User
英雄メンバー / Eiyuu Menbaa / Hero Member
Joined
Dec 20, 2018
Messages
2,245
Reaction score
5,772
Age
29
Country
United States
It is not a first time an author published 2 manga in different magazine.

Like Real and Vagabond by Inoue.


Maybe I am putting the carriage before horse but who knows.
Yes, but those 2 were irregularly serialized, right? There is also Takagi-san and Soredemo Ayumu wa Yosetekuru example, but both are short series (and not on a Shueisha magazine, but you get the point).
 

WyldViolet

Registered User
有名人 / Yuumeijin / Celebrity
Joined
Oct 25, 2012
Messages
4,108
Reaction score
5,856
Age
33
Country
United States
People need to realize that Mashima is so successful in Magazine because he is one of the few who occupys the battle shonen niche there and the way his Manga is structured appeals directly to Magazine readers. In Jump, he would be just one of many battle shonen mangaka and his flaws would be too apparent for him to survive longterm there.
When will this meme stop? WSM has had lots of popular battle manga serialized throughout its history.
 

TxxT

Registered User
英雄メンバー / Eiyuu Menbaa / Hero Member
Joined
Aug 30, 2018
Messages
563
Reaction score
2,476
Country
Japan
Is there an example of a certain chapter giving a boost to manga?
I doubt this has anything to do with recent chapters, MHA's backlog has been strong all year, the first few volumes have been in the the top 500 almost every week
 

tirakai

Registered User
MH中毒 / MH Chuudoku / MH Addicted
Joined
Aug 7, 2016
Messages
5,305
Reaction score
7,348
Age
33
Country
Scotland
Double Taisei doesn't work because Shogi is complicated and strategy focused but doesn't have anything exciting to latch onto for non-players to enjoy.

Let's compare it to another complicated competitive board game that can work well, Mahjong (look at Akagi and Saki for example, they're a lot of fun to watch even if you know nothing about mahjong).

Mahjong has an easy anchor point since you see them getting big numbers and immediately know they did something cool even if you don't know what exactly, and the random draws add a lot of tension since the terror of waiting for luck to bless you is easy to understand. You can feel the tension of random chance and the exciting of huge numbers even if you know nothing about the game, so every single turn can be portrayed as intense in an easy to understand way.

What is there to latch onto in Shogi? Checkmate is a cool moment, taking the opponent's important pieces can be dramatic but that's about it, there's nothing else that'll make a non-shogi fan think 'wow, what an amazing move!'. The way Double Taisei does it is especially bad for non-shogi players since it just lists numbers and skips through the games too much to get a feel of how anything's progressing or what's actually happening at any given moment. It's not silly enough, you have these weird situations with the characters but then it gets to the shogi that's serious and boring and contrasts with the other stuff badly.

Mononofu did okay since the characters were endearing, the shogi was unimportant (honestly if was about something more exciting with the same cast I think it could've lasted longer).
 

savethecat

Registered User
有名人 / Yuumeijin / Celebrity
Joined
Aug 5, 2016
Messages
3,330
Reaction score
5,440
Age
33
Country
United States
When will this meme stop? WSM has had lots of popular battle manga serialized throughout its history.
I think he’s just saying in comparison to WSJ, the magazine is definite by its battle series as much. So, while Shonen Magazine ALWAYS has at least one established Battle series running, it’s not nearly as competitive as WSJ, where damn near half of its series running are battle series
 

Aeneas

Registered User
英雄メンバー / Eiyuu Menbaa / Hero Member
Joined
May 17, 2019
Messages
1,814
Reaction score
3,995
Country
Italy
Short interview with Kaisen's editor at Jump Festa back in December. Talking a little about being an editor, Black Clover comparisons (he used to be BC's editor), etc.

https://www.viz.com/blog/posts/interview-with-the-jujutsu-kaisen-editor

Once again, TEAM JUMP made their way to the Land of the Rising Sun—Japan! Editor Alexis Kirsch got the chance to sit down with Tatsuhiko Katayama, the editor of Jujutsu Kaisen, for an incredible interview!

Team JUMP: Please introduce yourself and tell us which series you work on.

Tatsuhiko Katayama: I’m Tatsuhiko Katayama. I’m an editor for Weekly Shonen Jump. I’ve been [with WSJ] for nine years and I’m 31 years old. Unmarried. I currently work on the dark-fantasy action manga Jujutsu Kaisen and a suspense series called Summertime Render on the Jump+ website... Oh, by the way, I watched a video on the English SJ Twitter with Sasaki-san! I loved it! What was that line? "Manga can change your life!" I showed it to all the other editors.

Team JUMP: "Manga can change the world!"

Tatsuhiko Katayama: That’s it! Change the world! That app is great. You can read the chapters simultaneously with Japan for free, right? Okay, sorry, sorry.

Team JUMP: No, tell us more!

Tatsuhiko Katayama: I follow the Shonen Jump Twitter. Good stuff.

Team JUMP: We last interviewed you in late 2016. How have you been since then?

Tatsuhiko Katayama: Two years ago, I became a hancho ("group leader"). I became a captain and realized how easy I had it before. I have to "breed"—ah, breed isn’t the right English word used for humans is it? I mean rear! Rear the newer editors, give advice to various people and answer questions so the job of a captain is really tough.

Team JUMP: Editor-in-Chief Nakano-san was your captain at one point, right? Did you learn anything from him?

Tatsuhiko Katayama Just that I’m no match for him. There’s this slogan from a shrine in my brother’s room that says “ko wo motte shiru oya no on.” This basically means that you can’t understand what your parents gave you until you have kids of your own. So suddenly I was like, “Wow! Nakano-san had to go through so much!” I realized how much he helped me and how he was on a whole different level.

Team JUMP: Does being a Shonen Jump editor become easier with experience?

Tatsuhiko Katayama: Not at all! No, no, no! Actually, you have less stamina and drive compared to when you were younger, so it’s harder.

Team JUMP: We interviewed fellow-editor Sugita-san earlier, and he seemed young and still full of energy.

Tatsuhiko Katayama: He’s still in his 20s. He’s 29, so he has more energy—though his stomach sticks out more than mine! [laughs] It’s hard not to stress eat at this job.

Team JUMP: You recently moved on from being the editor of Black Clover. Was that a difficult experience?

Tatsuhiko Katayama: It was! I’m not the one creating it, but passing the baton to someone else on a series that you helped on for so long is difficult. Sometimes you have a different opinion on how things are going after you leave, but you’re not the editor anymore. Plus, we’re not the creators anyway, so we can only give advice. It’s tough. However, seeing the series do something you didn’t expect is really fun. Seeing something happen in the series that may not have happened if I was the editor is really interesting as a reader.

Team JUMP: When an editor leaves a series, is it hard to resist constantly give the new editor advice?

Tatsuhiko Katayama: So, at first, I didn’t think that there was any reason to hold back on the advice. The new editor is a rookie editor named Toide, so I was giving him advice. But then I got more and more busy and didn’t have any time for him. So now it’s easy to hold back.

Team JUMP: I was recently working on your goodbye message at the end of Black Clover volume 15. It was a lot of work for Annaliese, the letterer. [laughs]

Tatsuhiko Katayama: Oh! Thank you so much! Sorry for making it so wordy! Tabata Sensei suddenly asked me to include two pages. I was like “What?!!” But I decided to do an article with some of my top three characters and moments in the series. Thanks for working on it.

Team JUMP: Are there any major differences between being the editor on Black Clover and being the editor on Jujutsu Kaisen?

Tatsuhiko Katayama: Let’s see… For Black Clover, the main work is coming up with story ideas together with Tabata Sensei. Oh, though once the idea is decided, everything is super smooth. With Jujutsu Kaisen, all the ideas are already there, so it’s more about deciding the direction. With Black Clover, we have the direction; it’s just about coming up with the ideas on how to get there. I think that’s the biggest difference.

Team JUMP: What would you say to encourage a new reader to check out Jujutsu Kaisen?

Tatsuhiko Katayama: Let’s see… What I usually say is, it’s a shonen manga for adults or a more mature manga for kids. Meaning, adults will be reminded of how they felt when they were younger, and kids can read it and feel like they’re growing up. They get to see a glimpse of a cool, adult world. So basically, it’s a series that anyone can enjoy! That’s the basic sales pitch that I came up with. But to be more specific, the dialogue is really sharp. All the characters are really unique and speak as if they are real people. That’s what sets it apart from other series. Also, the plot is really dire. Like the main character almost dies immediately, and there’s some really grotesque stuff in it. But the themes of the story require that. It’s not just thrown in there without reason. How will the characters develop under these cruel conditions? It’s serious, but it touches your heart. That’s the kind of manga it is. Sorry that was so long.

Team JUMP: Tabata Sensei is very similar to Asta. Is Akutami Sensei like any of the characters in Jujutsu Kaisen?

Tatsuhiko Katayama: That’s so true about Tabata Sensei! I actually talked about this with Akutami Sensei yesterday. I think it’s Gojo Sensei. Akutami Sensei is really cheery and cool! Cheery but super-duper smart. Akutami Sensei reads a ton of novels and watches so many movies. Akutami Sensei's very smart like Gojo as well.

Team JUMP: What does a cursed finger taste like?

Tatsuhiko Katayama: I also asked Akutami Sensei about this. The answer is wax! Or soap. The reason is that dead flesh can turn into corpse wax.

Team JUMP: Eww…

Tatsuhiko Katayama: What did you expect?! It’s a dead body!

Team JUMP: Will you make finger-shaped chocolates or snacks? Finger keychains? Or candles?

Tatsuhiko Katayama: Good idea! I asked Akutami Sensei about what kind of merchandise we should make a while back. The first suggestion was cookies shaped like fingers. But that was rejected.

Team JUMP: Please rethink that!

Tatsuhiko Katayama: Well, there is a chance we might still do it. We’re currently discussing some bookmarks shaped like fingers.

Team JUMP: Will you be cosplaying at this year’s Jump Festa and if so, as who?

Tatsuhiko Katayama: The answer is…of course! I basically work hard at my job just for the opportunity to cosplay. Jump Festa without me cosplaying is unthinkable. I’ll be going as Gojo, the teacher from Jujutsu Kaisen.

Team JUMP: Gojo Sensei has his eyes covered, right? Will you be able to see?

Tatsuhiko Katayama: Don’t worry, I’ll be able to see. [pulls out mask] There are many small holes that I can see through. It’s not easy to put on, but it’s worth it. I’ll be wearing this and walking around the Shonen Jump booth.

Team JUMP: What other characters have you cosplayed as?

Tatsuhiko Katayama: Asta and Sai Jack (the mascot of Saikyo Jump). I am Sai Jack!

Team JUMP: Thank you for having us today.

Tatsuhiko Katayama: My pleasure!
 

Mankichi Togawa

Registered User
MH中毒 / MH Chuudoku / MH Addicted
Joined
Jun 26, 2014
Messages
5,561
Reaction score
15,739
Gender
Male
Country
Spain
-Neverland and Dr.Stone are the titles that get 10 covers per year
-Dr.Stone had a cover very recently
-Hero Academia and Black Clover got cover recently too
-Kimetsu gets covers surprisingly very rarely
-Act-age and Jujutsu don't get any cover at all
-CSM is already in almost chapter 30

I'm betting on next week Jump issue being 99% Neverland cover, or 1% CSM cover.
 

Rain Spectre

Registered User
有名人 / Yuumeijin / Celebrity
Joined
May 11, 2019
Messages
3,255
Reaction score
4,663
Age
27
Country
Australia
From what I remember, Kimetsu Vol 1 had a #31 1st Shoseki ranking, and did around 10k in just 3 days. Vol 1 would have certainly appeared on Oricon chart if there were more days in the week for it.

Not sure from where it comes that Kimetsu was a disaster in the beginning, when it wasn't. Like I said before, it never went as low as Kamio Yui did, neither on TOC nor in sales.
Observation I've had, 30th on Shoseki seems to be the rough standard cut-off for a Jump series succeeding. Act-Age, Jujutsu and Chainsaw all got within that rank to my memory.
 

westabyss

Registered User
中級員 / Chuukyuuin / Member
Joined
Aug 31, 2018
Messages
195
Reaction score
523
Country
Germany
When will this meme stop? WSM has had lots of popular battle manga serialized throughout its history.
Of course they have but its not their main focus. Read the Mashima x Ohkubo interview, they were talking about how you have to adjust certain elements for the Magazine audience to cater to them.
 

Rain Spectre

Registered User
有名人 / Yuumeijin / Celebrity
Joined
May 11, 2019
Messages
3,255
Reaction score
4,663
Age
27
Country
Australia
Double Taisei doesn't work because Shogi is complicated and strategy focused but doesn't have anything exciting to latch onto for non-players to enjoy.

Let's compare it to another complicated competitive board game that can work well, Mahjong (look at Akagi and Saki for example, they're a lot of fun to watch even if you know nothing about mahjong).

Mahjong has an easy anchor point since you see them getting big numbers and immediately know they did something cool even if you don't know what exactly, and the random draws add a lot of tension since the terror of waiting for luck to bless you is easy to understand. You can feel the tension of random chance and the exciting of huge numbers even if you know nothing about the game, so every single turn can be portrayed as intense in an easy to understand way.

What is there to latch onto in Shogi? Checkmate is a cool moment, taking the opponent's important pieces can be dramatic but that's about it, there's nothing else that'll make a non-shogi fan think 'wow, what an amazing move!'. The way Double Taisei does it is especially bad for non-shogi players since it just lists numbers and skips through the games too much to get a feel of how anything's progressing or what's actually happening at any given moment. It's not silly enough, you have these weird situations with the characters but then it gets to the shogi that's serious and boring and contrasts with the other stuff badly.

Mononofu did okay since the characters were endearing, the shogi was unimportant (honestly if was about something more exciting with the same cast I think it could've lasted longer).
The really funny thing is that, prior to Chapter 3, the manga didn't even have a Shogi consultant. It's like, after realizing he knew jack-shit about the actual game, the author is now taking everything his consultant gives him completely literally.
 

Shinuki no Reborn

Mangahelper
伝説メンバー / Densetsu / Legendary Member
Mangahelper
Joined
Jul 6, 2011
Messages
15,554
Reaction score
39,732
Age
34
Gender
Male
Country
Brazil
-Neverland and Dr.Stone are the titles that get 10 covers per year
-Dr.Stone had a cover very recently
-Hero Academia and Black Clover got cover recently too
-Kimetsu gets covers surprisingly very rarely
-Act-age and Jujutsu don't get any cover at all
-CSM is already in almost chapter 30

I'm betting on next week Jump issue being 99% Neverland cover, or 1% CSM cover.
It will be a double issue, #36/37 and i really believe in #38 we will have a new series
 
Status
Not open for further replies.
Top