Mag Talk Weekly Shonen Jump [2020] - Discussion and ToC Talk

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Shinuki no Reborn

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MANGAHELPERS "TOC" POLL ISSUE #51 - VOTING!​

The poll for issue #51 is now open, vote for your favorite chapters of the week clicking HERE!

Alongside the release of Sakamoto Days, the extra series this week are:

-Dragon Ball Super 66
-Boruto: Naruto Next Generations 52
-Ghost Reaper Girl 10


Good Votes!
 
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Halloween

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Moderator Notice:
Henceforth, I will be deleting posts that complain about Weekly Shonen Jump having too many/not enough gag/battle/exorcism/sports/etc series.

These posts are not insightful, and do not meaningfully contribute to this thread. Also, this decision is not up for discussion, so posts discussing this decision will also be deleted.~ Halloween
 
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Ryuusei

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呪 僕 O マ ブ S C D 破 C B 夜 C 僕 あ 灼 ぼ チ 高 ア 森 A 仄 ぼ 次号カラー ヒロアカ アンデラ 夜桜 約ネバ 道産子 GIGA 岸本先生が描くコラボポスター 爆豪クリアファイル
Jujutsu Kaisen (Cover & LCP)
My Hero Academia
One Piece
Mashle
Black Clover
Sakamoto Days (CP)
Dr. Stone
Magu-chan: God of Destruction (CP)
Build King
Mission: Yozakura Family
Me & Roboco
Ayakashi Triangle (CP)
Shakunetsu no Niraikanai
We Never Learn
Chainsaw Man
Koukousei Kazoku
Undead Unluck
Moriking
Agravity Boys
Honomieru Shounen
Bokura no Ketsumei

Issue #1
Cover & LCP: My Hero Academia
CP: Undead Unluck, Mission: Yozakura Family, The Promised Neverland, Dosanko Gyaru wa Namaramenkoi

GIGA Preview
Collab poster by Kishimoto
Bakugou clear file
 
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Aeneas

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Does anyone know what else he worked on?
Mentioned it before, but he's currently in charge of Agravity and launched Higuma and S8. Was possibly an editor for Boruto as well and has been with SJ since 2016.
 

Newkerzy

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Mentioned it before, but he's currently in charge of Agravity and launched Higuma and S8. Was possibly an editor for Boruto as well and has been with SJ since 2016.
.........

YIKES.

Looking at that track record, I don’t have a lot of confidence in the series’ direction after this because it’s very clear Taguchi is still a rookie at this point.

I’m aware that it’s not unusual for rookie editors to be paired with a veteran, but if something goes wrong, I think we’ll all know where the problems started.

I would have given the series to someone on Horikoshi’s timeline (6 years). That at least allows them to grow together.
 

yadayada

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Ah yes, because Horikoshi's previous editor was so successful...

By far the worst part of S8 flopping is that now everyone wants to pin blame on editors when nobody knows what any of them is doing behind the scenes. The author is Horikoshi, not Taguchi and not Yoritomi.
 

Newkerzy

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A good editor knows how to get the best out of their authors, and must be willing to criticize them, seniority be damned.

What happened with S8 is Taguchi was clearly just letting Kishimoto do whatever he wants, without giving him any input. Because anyone who read the first volume could see the problem with the series very early on, but no significant improvements were enacted further on, which was Taguchi’s responsibility to push Kishimoto in a better direction.
 

Shinuki no Reborn

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Talking about what happened behind the scenes between a editor and author without knowing anything about what happened behind the scenes lol

Btw, Higuma was decent with decent sales and many agreed at the time that Jump canceled too fast and Agravity Boys is pretty well received outside toc rankings, specially online, so his track record is already better than a lot of editors that never had anything that survived more than 20 chapters, so i don't see what is so much to worry about
 

Koni

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Either way you look at it, don't editors have a lot of sway when it comes to the direction of the manga? If so, then an editor change is one of the single biggest things to happen, potentially, because the entire direction of the series could be altered for years.
 

yadayada

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A good editor knows how to get the best out of their authors, and must be willing to criticize them, seniority be damned.

What happened with S8 is Taguchi was clearly just letting Kishimoto do whatever he wants, without giving him any input. Because anyone who read the first volume could see the problem with the series very early on, but no significant improvements were enacted further on, which was Taguchi’s responsibility to push Kishimoto in a better direction.
But how do you know what happened with S8? This is exactly my point, nobody knows what Kishimoto's relationship with his editor was, yet somehow everyone is convinced they have a clear view of what the editor did or did not do for Kishimoto.

Kishimoto is hardly the first author to make a series that has "problems from very early on yet made no significant improvements". Are all of them results of a bad editor? Why is shueisha even hiring authors when clearly the editors are writing the series themselves?
 

savethecat

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.........

YIKES.

Looking at that track record, I don’t have a lot of confidence in the series’ direction after this because it’s very clear Taguchi is still a rookie at this point.

I’m aware that it’s not unusual for rookie editors to be paired with a veteran, but if something goes wrong, I think we’ll all know where the problems started.

I would have given the series to someone on Horikoshi’s timeline (6 years). That at least allows them to grow together.
While editors are definitely very important, they’re not solely responsible for a success, and they’re not solely responsible for a failure.

Horikoshi has been running MHA just fine for 6 years, and seems to have a clear vision of where he wants the series to go. I doubt this will negatively effect the quality of the series(and if the series does decline in quality I doubt it’ll be because of majors editor changes)
 

Newkerzy

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But how do you know what happened with S8? This is exactly my point, nobody knows what Kishimoto's relationship with his editor was, yet somehow everyone is convinced they have a clear view of what the editor did or did not do for Kishimoto.

Kishimoto is hardly the first author to make a series that has "problems from very early on yet made no significant improvements". Are all of them results of a bad editor? Why is shueisha even hiring authors when clearly the editors are writing the series themselves?
The issues with S8 was obvious very early on. My question is, why didn’t Kishimoto change directions when it was clearly heading into a bad direction? Kishimoto even mentioned the first two volumes is how he wanted it to go because he wanted to get “stuff” out of the way, but at that point, it was already too late.

Any editor worth their salt should have noticed these problems early. If the casual readers could even identify the issues with a manga’s direction, then the editor moreso, with their larger responsibility as well as being the first person to read the series/chapters.

While editors are definitely very important, they’re not solely responsible for a success, and they’re not solely responsible for a failure.

Horikoshi has been running MHA just fine for 6 years, and seems to have a clear vision of where he wants the series to go. I doubt this will negatively effect the quality of the series(and if the series does decline in quality I doubt it’ll be because of majors editor changes)
I can only hope so..... but again, looking at that track record doesn’t give me confidence.

Maybe Horikoshi works better with free reign because he’s just that great of a writer, or maybe he’s just decent elevated to great when paired with a really good editor.
--- Double Post Merged, , Original Post Date: ---

Either way you look at it, don't editors have a lot of sway when it comes to the direction of the manga? If so, then an editor change is one of the single biggest things to happen, potentially, because the entire direction of the series could be altered for years.
Exactly. It’ll either be better or worse and we still won’t know until we see it. I’d like to be optimistic, but do you honestly believe a series will go into a better direction with a spotty track record like that? The uncertainty right now is pretty terrifying to me.
 

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Ah yes, because Horikoshi's previous editor was so successful...

By far the worst part of S8 flopping is that now everyone wants to pin blame on editors when nobody knows what any of them is doing behind the scenes. The author is Horikoshi, not Taguchi and not Yoritomi.
Yoritomi's mangaplus interview wasn't a good first impresion for an editor.
Maybe Agravity author and Horikoshi are better with more freedom but Kishimoto needed someone to help him and he failed at this.
 

yadayada

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The issues with S8 was obvious very early on. My question is, why didn’t Kishimoto change directions when it was clearly heading into a bad direction? Kishimoto even mentioned the first two volumes is how he wanted it to go because he wanted to get “stuff” out of the way, but at that point, it was already too late.

Any editor worth their salt should have noticed these problems early. If the casual readers could even identify the issues with a manga’s direction, then the editor moreso, with their larger responsibility as well as being the first person to read the series/chapters.
Why don't all flops just change directions when things aren't working out? Because it's not so simple to change what you've worked on for months, sometimes for years, on the fly while you already have to work on the manga on a weekly schedule. Or maybe he just didn't want to. Or maybe the editor agreed with Kishimoto. Or maybe they thought it'd get more attention later on. Or maybe they just didn't care because the decision to eventually cut S8 was made as soon as its first volumes didn't work out.

No matter what, it's all assumptions. None of us is present in their meetings. None of us knows either of them. None of us knows anything about it. Which is why it's silly to pretend we somehow have inside information about what didn't work, pinning the blame on someone when we don't even know what he did.

Yoritomi's mangaplus interview wasn't a good first impresion for an editor.
Maybe Agravity author and Horikoshi are better with more freedom but Kishimoto needed someone to help him and he failed at this.
Yoritomi is his old editor, not the new one, and he only launched 1 jump+ series and just now highschool family over his 5 years of working as an editor. It's not like Horikoshi went from a superstar editor like Lin with crazy amount of hits on his back to a nobody.

As for the second part, like I said, it's complete headcanon. None of this is the truth. It's all assumptions.
 

James Rye

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Either way you look at it, don't editors have a lot of sway when it comes to the direction of the manga? If so, then an editor change is one of the single biggest things to happen, potentially, because the entire direction of the series could be altered for years.
Only if the mangaka is willing to listen to the editor and change his work according to his advice. For example Ashihara decided to bring in Jin way earlier than planned and cut out many chapters where Yuuma would have been not part of Border because his editor said that the readers need a hook and that the not-border chapters were seen as boring by the readers. Or for Tozuka who had planned for Andy and Fuuko to be on the run for a while kinda like Bonny and Clyde but then changed it when his editor told him there need to be more characters and more bold changes to keep the interest of the readers which is why he pushed the Union arc way more forward to be reached sooner.
There are probably also some advises from editors that end up badly but I doubt we hear much about them since the only times we hear about such advises are the interviews with the mangakas and no mangaka wants to talk badly about their editor in an interview.
 

Newkerzy

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Yoritomi's mangaplus interview wasn't a good first impresion for an editor.
Maybe Agravity author and Horikoshi are better with more freedom but Kishimoto needed someone to help him and he failed at this.
I actually think Yoritomi was a good match for Horikoshi. He let Horikoshi experiment with different styles of writing and try different ideas while keeping him focused on the big picture. He and Horikoshi made sure to lay down all foundations for the really big “game-changing” arc and it’s paying off really well now. Of course, getting to this point was a bit of a drag, but not to the point the series completely jumped off a hill.

But I think Monji’s better. He really brought out MHA’s appeal and what made it popular in the first place. You could see the change in direction after Yoritomi took over. Yoritomi had a more experimental approach, but his phase was admittedly mixed.

Why don't all flops just change directions when things aren't working out? Because it's not so simple to change what you've worked on for months, sometimes for years, on the fly while you already have to work on the manga on a weekly schedule. Or maybe he just didn't want to. Or maybe the editor agreed with Kishimoto. Or maybe they thought it'd get more attention later on. Or maybe they just didn't care because the decision to eventually cut S8 was made as soon as its first volumes didn't work out.

No matter what, it's all assumptions. None of us is present in their meetings. None of us knows either of them. None of us knows anything about it. Which is why it's silly to pretend we somehow have inside information about what didn't work, pinning the blame on someone when we don't even know what he did.


Yoritomi is his old editor, not the new one, and he only launched 1 jump+ series and just now highschool family over his 5 years of working as an editor. It's not like Horikoshi went from a superstar editor like Lin with crazy amount of hits on his back to a nobody.

As for the second part, like I said, it's complete headcanon. None of this is the truth. It's all assumptions.
Bolded: And that is precisely what went wrong. Taguchi was just acting as a yes man to Kishimoto when he needed more constructive feedback.

I’ll agree with you these are all assumptions. But it’s also not hard to figure out what went wrong with that series. Anyone who’s taken literature classes should be able to tell you.
 
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Ctkk

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It was pretty clear from Yoritomi's interview for the anniversary that he was pretty much just letting Horikoshi do whatever he wanted.

I figure this new one will be the same.
 

Xzone

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Why don't all flops just change directions when things aren't working out? Because it's not so simple to change what you've worked on for months, sometimes for years, on the fly while you already have to work on the manga on a weekly schedule. Or maybe he just didn't want to. Or maybe the editor agreed with Kishimoto. Or maybe they thought it'd get more attention later on. Or maybe they just didn't care because the decision to eventually cut S8 was made as soon as its first volumes didn't work out.

No matter what, it's all assumptions. None of us is present in their meetings. None of us knows either of them. None of us knows anything about it. Which is why it's silly to pretend we somehow have inside information about what didn't work, pinning the blame on someone when we don't even know what he did.


Yoritomi is his old editor, not the new one, and he only launched 1 jump+ series and just now highschool family over his 5 years of working as an editor. It's not like Horikoshi went from a superstar editor like Lin with crazy amount of hits on his back to a nobody.

As for the second part, like I said, it's complete headcanon. None of this is the truth. It's all assumptions.
I meant Taguchi(the S8 editor) not Yoritomi.His interview about Sam8 and kishimoto was bad compared with the others editors.
Also why Lin is a superstar editor and other can't be good or bad lolmao. What proof you have about Lin being a superstar editor? That he found some authors that become hits? If it is then Taguchi isn't different but in the other sides lol.
It seems that your proof about a editor is good or bad is like subjective and if other talk about other editors you need to have proofs because assumptions lol
 

Shinuki no Reborn

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As said, since the new chapters are going to be released this Friday, the poll was closed and the results posted, the poll for issue #42 will start hours after the new releases, thanks for the votes!

MANGAHELPERS POLL ISSUE #41 (2020) - VOTING RESULTS

1. Chainsaw Man 84 - 137 J-Points
2. Undead Unluck 31 - 95 J-Points
3. Jujutsu Kaisen 121 - 79 J-Points
4. Burn the Witch 4 - 68 J-Points

5. One Piece 990 - 48 J-Points
6. Mission: Yozakura Family 50 - 48 J-Points
7. Magu-chan: God of Destruction 11 - 44 J-Points
8. Hard-Boiled Cop and Dolphin 10 - 41 J-Points
9. Black Clover 264 - 38 J-Points
10. Mashle 30 - 32 J-Points
11. We Never Learn 173 - 32 J-Points
12. Kokosei Kazoku 3 - 28 J-Points
13. Dr. Stone 165 - 27 J-Points
14. Ayakashi Triangle 12 - 26 J-Points
15. Phantom Seer 3 - 25 J-Points
16. Bokura no Ketsumei 1 (New Series) - 25 J-Points
17. Me & Roboco 9 - 23 J-Points
18. Kaiju No.8 10 - 20 J-Points
19. Moriking 19 - 14 J-Points

20. Agravity Boys 35 - 9 J-Points
21. Excuse Me Dentist, It's Touching Me! 5 & 6 - 7 J-Points
22. Jigokuraku 111 - 1 J-Point

23. World's End Harem: Britannia Lumiére 8 & 9 - 1 J-Point

Notes:

-35 Poll Voters + 28 Comment Voters
-Tied mangas decided by which is older
-Total number of votes is the combined between both polls
-My Hero Academia was absent in this issue
 

Wookitake

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The discussion about the editors is fruitless. But I'd like to know what you did not like in Taguchi's interview. I, for one, did not like how much he likes the backgrounds and the art in S8, because I think that was one of the (many) problems of the manga. But other than that, he did not seem a bad guy.

I've just re-read that and the interview with the first two editors from Horikoshi/BnHA. The latter reminded me how I liked the earlier sketches (not the one-shot adult version) for Deku more than the final version. He seemed cooler. Okay that he's a nerd but I guess it could have worked really well.
--- Double Post Merged, , Original Post Date: ---

I don't know it that's common, but...I was taking a look at some recent mangaplus pages and found out that the author's comments for this week are already out: https://mangaplus.shueisha.co.jp/web_pages/393/

I was just changing the number from the URL, going up until this last one.

If no one else know about this, I'll check next week if the author's comments are available already on sunday morning
 
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yadayada

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Bolded: And that is precisely what went wrong. Taguchi was just acting as a yes man to Kishimoto when he needed more constructive feedback.

I’ll agree with you these are all assumptions. But it’s also not hard to figure out what went wrong with that series. Anyone who’s taken literature classes should be able to tell you.
But you can't know if Taguchi was just a yes man for Kishimoto without actually being there or having info about it lol. It's just one of multiple possibilities, which is exactly the point, it's all headcanon, perhaps a realistic one, but nothing here is factual. Maybe he was a yes man, or maybe he wasn't. You're just assuming he was and passing it off as the truth.


I meant Taguchi(the S8 editor) not Yoritomi.His interview about Sam8 and kishimoto was bad compared with the others editors.
Also why Lin is a superstar editor and other can't be good or bad lolmao. What proof you have about Lin being a superstar editor? That he found some authors that become hits? If it is then Taguchi isn't different but in the other sides lol.
It seems that your proof about a editor is good or bad is like subjective and if other talk about other editors you need to have proofs because assumptions lol
I was trying to argue by using the same logic as the one you're using here, as in, if you want to judge editors purely by successes and flops, it's not like Horikoshi is moving from a successful editor to an unsuccessful one, they're both unsuccessful editors.
 

Xzone

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But you can't know if Taguchi was just a yes man for Kishimoto without actually being there or having info about it lol. It's just one of multiple possibilities, which is exactly the point, it's all headcanon, perhaps a realistic one, but nothing here is factual. Maybe he was a yes man, or maybe he wasn't. You're just assuming he was and passing it off as the truth.



I was trying to argue by using the same logic as the one you're using here, as in, if you want to judge editors purely by successes and flops, it's not like Horikoshi is moving from a successful editor to an unsuccessful one, they're both unsuccessful editors.
I didn't judge him because sam8 is a failure , you seems to be the one obsessed to use sales=quality , I judge because in his interview seems like he doesn't know how to carry a non-newcomer author to improve himself and felt that he believe the author magically will challenge himself to do that.
They are other personal takes that I dissagre that I may be wrong(I don't think he knows what being accessible to the readers is because he saids that they put samurais for that, his opinion about sci-fi,some of his takes about okubo(this one is comprensible bc is a japanese thing) ...).
Still, he doesn't seems like a bad guy and I like agravity boys,tho.
 

Ryuusei

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Shoseki Daily Ranking - 9/17

#1 One Piece 97
#9 Spy x Family 5
#10 My Hero Academia 28
#23 One Piece Color Walk 9 Tiger
#28 Dr. Stone 17
#33 Boruto 12
#79 Kimetsu no Yaiba TV Anime Character Book
#82 Jigokuraku 11
#128 Undead Unluck 3
#145 Yuuna and the Haunted Hotsprings
#360 2.5 Seduction 6
#458 Boukyaku Battery 8
 
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