I bought them on amazon (took me 7 months to collect all of them), each volume costs around $15 but you're bound to find discounts, especially during the holiday season.
I bought them on amazon (took me 7 months to collect all of them), each volume costs around $15 but you're bound to find discounts, especially during the holiday season.
I was watching a video (zegodhand on Youtube) and the guy pointed out something I have been noticing, but until this panel I had no idea how different it became.
View media item 21352
I have to agree when he says it is not bad but it became a little... childish.
Is it true Miura has now people working for him (and that is the reason for the change)?
Or is he just getting a little old and then his detailed job is now a bit more difficult than it was before (and that is the reason for the hiatus)?
Do you guys know?
And what do you think about this change?
I was watching a video (zegodhand on Youtube) and the guy pointed out something I have been noticing, but until this panel I had no idea how different it became.
View media item 21352
I have to agree when he says it is not bad but it became a little... childish.
Is it true Miura has now people working for him (and that is the reason for the change)?
Or is he just getting a little old and then his detailed job is now a bit more difficult than it was before (and that is the reason for the hiatus)?
Do you guys know?
And what do you think about this change?
As I understood he always had people help with the inking (coloring the lines dark) but he did all the background and foreground art which is why it takes him so long. Most manga are not nearly this detailed but still have people specialize in the background art, lining etc while the mangaka generally directs the whole thing and does the initial drawings. I think it could just have been something that got by him or it could be on purpose. Guts is feeling optimistic finally being so close to bring Caska's mind back. Perhaps the happier art style is symbolism for how Guts is feeling?
Well this is a nightmare not only do you have play this behind closed doors you also need to play those horrific scenes Futhermore, Griffith is a playable character
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Since the beginning of the pubblication on YA the Episode had the same number of page [19-21]
Exactly like the rest of the Manga published on the Magazine.
--- Double Post Merged, , Original Post Date: ---
A LOT of passages from this interview terrified me:
Since the beginning of the pubblication on YA the Episode had the same number of page [19-21]
Exactly like the rest of the Manga published on the Magazine.
--- Double Post Merged, , Original Post Date: ---
A LOT of passages from this interview terrified me:
Miura: I’ll be dead by the time it’s done (laughs).
Torishima: I think that’s fine, too. There’s no rule that says that you have to finish. So long as you have something about your characters that you want to express, and so long as you’re headed in that direction.
Since the beginning of the pubblication on YA the Episode had the same number of page [19-21]
Exactly like the rest of the Manga published on the Magazine.
--- Double Post Merged, , Original Post Date: ---
A LOT of passages from this interview terrified me:
This guy is a bit too rigid in his beliefs, I don't completely disagree with everything he says about Miura and Berserk but it's close enough I guess, have you posted this on SK yet? I really wanna see Aazealh's and Walter's response.
Torishima said:
To be honest, it’s a painful piece. As I said before, it’s been implemented wrong. You’re good at establishing a theme before you write, but unfortunately, you’ve written it with a certain detachment.
In my view, Miura-sensei, you’re still letting your talent go to waste. I want you to keep asking, “What am I looking at? Is it correct?” For example, you do a lot of research for the sake of your work, but you shouldn’t! Why? Because you aren’t the kind of author that needs to study. You have the art and the storyline all in your head.
You’ve done a lot of research in order to dig into the theme, which you try too hard to convey through dialogue.
I strongly disagree, research is pivotal to any story, Berserk's world feels vivid, fantastic and authentic partly because of Miura's extensive research.
Perhaps he's talking about the info dumps in volumes 24 and onward in which case I agree but not completely.
Torishima said:
I think that’s something of an illusion. I think by depicting characters, stories will come naturally. Another thing is that you, yourself, mustn’t take on the perspective of an editor. Writers like you have an editor within you as well, which is why you’re so self-critical. You end up seeing problems that not even your editor notices, and you end up cutting things out of your work.
True, characters are usually the heart of a story (GRRM swears by it) but it's not necessary to focus on only the characters to drive a story, Isaac Asimov's Foundation series is a great example.
Torishima said:
Another thing is that you, yourself, mustn’t take on the perspective of an editor. Writers like you have an editor within you as well, which is why you’re so self-critical. You end up seeing problems that not even your editor notices, and you end up cutting things out of your work.
Anyone can do addition with enough time, but subtraction takes brains. You ought to do more subtraction. Also, your personality is too pure and sincere. I’m amazed that you lived your life so long with such purity (laughs).
I can understand his comment of Berserk being painful because of the amount of care taken for every single nuance in every single page that creates a highly slow pace and put a cloud on Muira's talent.
Oda has the art and the story-line all in his head. The drawing style expresses his talent and story is told with subtlety. Torishima is telling Muira to be like Oda.
When he talks about volume 13, Torishima is referring to the catharsis pertaining to the carnage about all the acquainted and relished characters.. It's the feelings that were completely released there. After that Muira turned slightly towards his mechanical side where he became self-critical.