Hi Finestela,
I wanted to thank you for all your RAWs and your translations, but most of all for your posts that are a breeze of fresh air on MH.
You seem to like a lot of mangas. My remark is not only about genres, but also about how "silly" (sorry for the term I did not find anything better) the manga can be. You are like Yotsuba: "Enjoy everything in the mangas"

and I have something to learn from you. I try to make some efforts and still have not given up Ane-Doki, sensei!!
Nami beat me to ask to come more often to another section than Otaku Cafe, but I would have asked you to come more often to the shounen section
I had also a question, but it was answered already. It was how you learned chinese since I remember having read one your posts saying chinese was your third language. Another question: is there any particular reason you wanted to learn chinese? I know cases of children of immigrants that were not taught the origin language for integration purpose and when they became adults, they wanted to discover this part of them that was hidden. I also know cases like you when there were two different languages coming from the parents (or maybe in your case it was japanese from both your parents?), but there was another "branch" very minor in the genealogy with a third language and there was a need to learn this language.
If there is a reason behind it, do you want your daughter to learn chinese as well?
I also have a weird question for you about the Jump TOC. Do you just fangirl about it or do you really believe in it? It seems to me it is just a manipulation from shueisha to make readers forget that, in the end, stopping or continuing a series is an editioral choice that belongs to the staff. For example, I am paranoid, but, in my opinion, Koneta's post is organized by WSJ staff to create the buzz. Since I am on MH, from all the new mangas I've read that started in WSJ, I would have done the same thing as the editors. In the case of Double Arts, I would have also fired the guy in charge of the author that let the scenario stagnate. So, I have a more simple vision, if it is good , the series stays, if it is bad, the series is cut.
Regarding the bottom of the TOC, To-Love-Ru would have been dead for a long time if there was something to predict from it. Actually, I read posts in the WSJ thread predicting its death for more than one year. Now, that the series is finished, we have a better reason with Ane-Doki, a new ecchi series, that comes out successfully and the personal stories of the authors of To-Love-Ru to explain the end of the manga.
I have still hopes that Akaboshi will survive, although there is a major hindrance in the story, the hero of the story is not the typical shounen hero. Seriously, that's a real handicap, so I won't be surprised if its fate is to be cut. I think It would be more difficult for Kagijin to survive.
Last question: in the Chinese Edited Manga community, you seem to be part of groups and in the English one, you are more a stand-alone contributor like a few other translators (or I miss something?). Any thought about this double status?