Mag Talk Weekly Shonen Jump [2020] - Discussion and ToC Talk

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Shinuki no Reborn

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MANGAHELPERS "TOC" POLL ISSUE #51 - VOTING!​

The poll for issue #51 is now open, vote for your favorite chapters of the week clicking HERE!

Alongside the release of Sakamoto Days, the extra series this week are:

-Dragon Ball Super 66
-Boruto: Naruto Next Generations 52
-Ghost Reaper Girl 10


Good Votes!
 
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Halloween

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Moderator Notice:
Henceforth, I will be deleting posts that complain about Weekly Shonen Jump having too many/not enough gag/battle/exorcism/sports/etc series.

These posts are not insightful, and do not meaningfully contribute to this thread. Also, this decision is not up for discussion, so posts discussing this decision will also be deleted.~ Halloween
 
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Ryuusei

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呪 僕 O マ ブ S C D 破 C B 夜 C 僕 あ 灼 ぼ チ 高 ア 森 A 仄 ぼ 次号カラー ヒロアカ アンデラ 夜桜 約ネバ 道産子 GIGA 岸本先生が描くコラボポスター 爆豪クリアファイル
Jujutsu Kaisen (Cover & LCP)
My Hero Academia
One Piece
Mashle
Black Clover
Sakamoto Days (CP)
Dr. Stone
Magu-chan: God of Destruction (CP)
Build King
Mission: Yozakura Family
Me & Roboco
Ayakashi Triangle (CP)
Shakunetsu no Niraikanai
We Never Learn
Chainsaw Man
Koukousei Kazoku
Undead Unluck
Moriking
Agravity Boys
Honomieru Shounen
Bokura no Ketsumei

Issue #1
Cover & LCP: My Hero Academia
CP: Undead Unluck, Mission: Yozakura Family, The Promised Neverland, Dosanko Gyaru wa Namaramenkoi

GIGA Preview
Collab poster by Kishimoto
Bakugou clear file
 
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Felcis

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It was stated prior to CSM serializing that the "top brass" (or was it big wig?) in WSJ literally told Fujimoto to do whatever he wanted.

That in turn led to CSM.
Okay, yes. I heard about that.
I did always guess that his editor is more about adding additional inspiration, than actually restraining him.

What Interview? You got a link? I'd like to read it.
It's on MangaPlus!

There's also, among others, the super interesting one about Act-Age. And one about Samurai 8, that honestly reads like either being very respectful/polite OR full of shit, however you wanna call it, lol.
Hoping for one about CSM at some point, too!
 

Serinox

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At this point, it looks like bad practice right now.
Why? Do you think newbie editors getting a newbie author would be any better?

Newbie authors need an experienced editor with a calm steering hand. Newbie editors get trained by being assigned to veteran authors, who can maintain some level of certainty. That's not to say newbie editors just keep quiet and do nothing because the mangaka is famous.

You also have to realize that mangaka also often appreciate input and feedback from their editors. Not everything an editor says and suggests is already executive meddling and met with complete disapproval from a mangaka.
 

OtterBrigade

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You also have to realize that mangaka also often appreciate input and feedback from their editors. Not everything an editor says and suggests is already executive meddling and met with complete disapproval from a mangaka.
pretty much this. A good writer (in any medium) knows when to accept suggestions/criticism. The editors aren't going to make dumb suggestions like "give Haikyu a 50+ chapter arc where Kageyama and Hinata get really heavy into a fantasy MMO". It's their job to try and make the series successful.
 

101nemesis

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At this point, it looks like bad practice right now.
It's the right way to do it.
You don't throw in newbies together. You team them up with experienced people to help train them.

Veteran mangaka returning to a magazine usually also implies (albeit not 100% guaranteed) they have a good standing with the magazine and the editors. So the chances are that veterans won't be pushy and will actually try to help the newbie editors while accepting feedback from a newer perspective from the newbie editor.
 

Shinuki no Reborn

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In the end both Mitama and S8 sold better than what i expected, S8 kept the same level of v3 (18k in 9 days) and Mitama same too having 1 day less than v1 :beer
 

Tamil

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This worries me a bit as well but tbf 1k copies is basically considerable fluctuation, I was expecting it to grow tho
Its not 1k, more like a ~400 copy difference, hardly even a 1% drop. Nothing considerable and it could possibly get back up. Let's see how it does in the coming weeks and I'm expecting it to grow as well.
 

KoL2.0

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If i remember correctly, Kishimoto also took S8 to his first editor to look over it (The now current Chief Editor of WSJ or something?).
 

Rain Spectre

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If i remember correctly, Kishimoto also took S8 to his first editor to look over it (The now current Chief Editor of WSJ or something?).
Yanagi is EiC of Jump SQ.
 

supercow297

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It depends on the mangaka. Some thrive with editor input (Kishi) while others thrive without it (Fujimoto).

Overall, I do agree that editors are valuable commodities.
Source on your comment on Fujimoto?
Because personally I see it like this: Fujimoto must be working very closely with his editor to make such a structured story this time compared to Fire Punch.
 

Minsel

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Source on your comment on Fujimoto?
Because personally I see it like this: Fujimoto must be working very closely with his editor to make such a structured story this time compared to Fire Punch.
What if Fuji can make structured stories on his own????? Crazy right?
 

Nemesis

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Personally, I think you should refrain from "generalizing". This is your opinion and while some may share it, not everyone does. What makes a "good series" is subjective to a point. Also, Labeling it a "failure" when you don't have all factors to base that on is erroneous. Say that after you have all reported figures because regardless of what your opinion on it's state outside of Japan may be, it's almost consistently highly rated. Far from not being a "Good Series".

That's not to it's without faults and fell far from expectations, but you really shouldn't generalize...but that's just my opinion.
I'm not generalizing anything or even saying anything about its quality. I didn't even think about the manga itself but about its sales. It's literally a failure, there's no argument around it.
--- Double Post Merged, , Original Post Date: ---

What if Fuji can make structured stories on his own????? Crazy right?
Rin was his editor on Firepunch as well. And from what I remember, he was with him since the beginning at least on Shueisha.
 

Aeneas

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Was randomly browsing Murata's twitter, and saw him retweet this show that two assistants started recently:


One has been an assistant on Rookies, Shaman King, Naruto, and Death Note (the one with the headwear). I thought I recognized the other, and yup, one of Togashi's assistants, maybe since the beginning of HxH. You can see him here in the Jump Ryu video. And it looks like he put this together for his 50th birthday back in 2016.

As for Murata, I can't tell 100%, but it seems they'll be having him on soon?
They indeed got to chat a little with Murata.

 

supercow297

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What if Fuji can make structured stories on his own????? Crazy right?
Unlikely given the interviews we've seen involving him, unless his craziness is emphasized only as advertisement. In addition it was said Rin let Fujimoto go wild with Fire Punch and now that they are in the main magazine, I theorized that Rin would have more control over the story's structure. That's the logic behind my reasoning.
 

Koni

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God, I think Yuuna is probably going to be stalling a couple weeks by focusing on one girl per chapter, but for once I am all for it. It’s honestly the best the series has been since... well, the first time we got a glimpse into a girl’s future with the MC.

I should catch up on the 5 newest serializations, since I want to vote in the poll again. Not sure where to start, though.
 

evielynn

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I should catch up on the 5 newest serializations, since I want to vote in the poll again. Not sure where to start, though.
UxU easily beats the other 4 in my eyes after last chapter, so I'd probably recommend it over the others.
 

BX-02BLODIA

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Anyone have a guess on what that "special project" for Yuuna is? It's quite the catch-all phrase.
 

savethecat

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Why? Do you think newbie editors getting a newbie author would be any better?

Newbie authors need an experienced editor with a calm steering hand. Newbie editors get trained by being assigned to veteran authors, who can maintain some level of certainty. That's not to say newbie editors just keep quiet and do nothing because the mangaka is famous.

You also have to realize that mangaka also often appreciate input and feedback from their editors. Not everything an editor says and suggests is already executive meddling and met with complete disapproval from a mangaka.
Although I agree with the practice, I don’t think it’s too far fetched to assume that a new editor would be hesitant to say much to someone who is one of the most successful manga artist of all time.
 
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