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Hyper Inflation is also a nomineeFrom Jump+ in the webmanga category:
Aragane no Ko
Kaiju no 8
Ron Kamonohashi
Gaming Ojosama
Dandadan
Hyper Inflation is also a nomineeFrom Jump+ in the webmanga category:
Aragane no Ko
Kaiju no 8
Ron Kamonohashi
Gaming Ojosama
Dandadan
Blue Box doesnt even has 10 chapters published yet lolTsugi ni Kuru nominations announced. https://tsugimanga.jp/nominate2021-comics/
From Jump:
Blue Box
Witch Watch
Sakamoto Days
The Elusive Samurai
Magu Chan
Roboco
From Jump+ in the webmanga category:
Aragane no Ko
Kaiju no 8
Ron Kamonohashi
Gaming Ojosama
Dandadan
Undead Unluck won this award last year for context, though tbh I think Frieren from Sunday will win easily this time around.
Dandadan also doesn't have many chapters published yet right?Blue Box doesnt even has 10 chapters published yet lol
Yes but Dandadan popularity is a lot more "palpable" than Blue Box, at least in the moment, unless the people behind the award already know how well is doing but they included Mitama Security, so in the end it probably don't matter much.Dandadan also doesn't have many chapters published yet right?
Off topic I know, but I wonder why Suicide Girl is in the Web manga category when it runs in Ultra Jump? Not that I'm unhappy that a Nakayama series got nominated.Tsugi ni Kuru nominations announced. https://tsugimanga.jp/nominate2021-comics/
From Jump:
Blue Box
Witch Watch
Sakamoto Days
The Elusive Samurai
Magu Chan
Roboco
From Jump+ in the webmanga category:
Aragane no Ko
Kaiju no 8
Ron Kamonohashi
Gaming Ojosama
Dandadan
Undead Unluck won this award last year for context, though tbh I think Frieren from Sunday will win easily this time around.
Kouya no Shonen Isamu was kind of WSJ's first super hit I think. I don't think we have print numbers for it, but the fact that it received a rare re-edition (That costed 1,500 per volume, even more expensive than Kanzenbans) to commemorate WSJ's 50th anniversary kinda cemented that it was some sort of gem of WSJ catalog or something.Just a little fun fact. I went though old Jump covers and found that in it's 111 chapter run from 1971 to late 1973, Kouya no Shonen Isamu received the cover 36 times in total. And this isn't even counting the total amount of the times the series was placed on the cover at all. If we count all that then Isamu was placed somewhere prominent in the cover 84 times throughout it's run.
It's debatable if Jump's first big hit was either Otoko Ippiki or Harenchi Gauken, considering that they left a larger impact in I guess manga as a whole (Otoko Ippiki was the first step in battle series while Harenchi was essentially the first ecchi). Not to say that Isamu wasn't succsessful or anything; It's ToC placements were VERY high for pretty much it's whole run, the amount of covers it had makes it one of the featured cover series in Jump's history, especially considering it's realativly short run , constant re-releases through the years and the anime of course. But makes me wonder why Jump never really invested in Westerns after that.Kouya no Shonen Isamu was kind of WSJ's first super hit I think. I don't think we have print numbers for it, but the fact that it received a rare re-edition (That costed 1,500 per volume, even more expensive than Kanzenbans) to commemorate WSJ's 50th anniversary kinda cemented that it was some sort of gem of WSJ catalog or something.
If Western is a dead genre here, imagine in Japan, the closest thing to a relevant western series that i know today is Black Tiger by Osamu Akimoto on Grand Jump, last time i checked it sold 8kIt's debatable if Jump's first big hit was either Otoko Ippiki or Harenchi Gauken, considering that they left a larger impact in I guess manga as a whole (Otoko Ippiki was the first step in battle series while Harenchi was essentially the first ecchi). Not to say that Isamu wasn't succsessful or anything; It's ToC placements were VERY high for pretty much it's whole run, the amount of covers it had makes it one of the featured cover series in Jump's history, especially considering it's realativly short run , constant re-releases through the years and the anime of course. But makes me wonder why Jump never really invested in Westerns after that.
I guess they're rearranging the arcs, that makes sense if they want to end the season on a big climax.My Hero Academia S5 2nd Cour PV and Visual
Only One Piece, Boruto, Yu-Gi-Oh! SEVENS and Dai no DaiboukenI guess they're rearranging the arcs, that makes sense if they want to end the season on a big climax.
Are there any new WSJ anime starting next season? Or just continuations of this and Toei stuff?
I would morso say otoko ipikki popularize the yankee genre. In terms of battle it wasn’t really revolutionary in that. Otoko is kind of a similar case with ashita no joe, both have battle elements and the such but I wouldn’t completely classify them as battle manga.It's debatable if Jump's first big hit was either Otoko Ippiki or Harenchi Gauken, considering that they left a larger impact in I guess manga as a whole (Otoko Ippiki was the first step in battle series while Harenchi was essentially the first ecchi). Not to say that Isamu wasn't succsessful or anything; It's ToC placements were VERY high for pretty much it's whole run, the amount of covers it had makes it one of the featured cover series in Jump's history, especially considering it's realativly short run , constant re-releases through the years and the anime of course. But makes me wonder why Jump never really invested in Westerns after that.