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I think the most recent example is Tokyo Ghoul I dont think its first volume woluld have sold as much as it did , if it were not for the Edited Mangas.
Yeah Im quite sure the anime had more of an effect on increasing awareness of Tokyo Ghoul than the scans did, wasnt the manga already over by the time the anime even started and it was still a niche series.Tokyo Ghoul sold that much and became that popular due to the anime, not due to the Edited Mangas.
Wagatsuma was from the original batch that CR did with a joint effort from Kodansha Japan, more so than US. Not to mention that CR goes after manga licenses for literally anything they can get their hands on, that's why they would pick it up.Yeah... NO.
I did Wagatsuma back then, and it became sorta popular. Suddenly Kodansha/crunchyroll picked it up all of a sudden. Now, most series that get licensed in the States are either (1) from a popular author (2) had an anime adaptation or (3) really popular in japan.
Sadly to say, Wagatsuma aren't either of those. Why would they pick up a manga that's full of 2ch references and mostly gag (which americans hate)?
please don't try to tell me that they don't make decisions based on what's popular online....that's just a ludicrous assertion. Online, English-speaking fandoms who read Edited Mangas are the reason so many series get licensed in the first place.![]()
You twist their words there, they never said they don't make decisions based on what's popular online. They're saying they don't go to mangareader and start licensing the top trending manga of the day.Publishers make decisions based on Edited Mangas – False. Everyone was in agreement that the idea that publishers track what is popular on Edited Manga websites as a gauge for what should be licensed and published next is completely erroneous.
But they didn't say Edited Mangas are bankrupting them. They said that Edited Mangas are reducing their sales. The presence of a free alternative will turn some paying customers away, but there will be those who will still buy. You can never get exact numbers, but they're saying they're selling less than they could be.This talk about "Edited Manga hurts sales" is so old and has been used so many times that, if it were true, the industry would've already been bankrupt by 2013...
What do they do exactly that's worse? They're just making money off of it.I don't think Edited Mangas by itself are the problem but the profit driven aggregator sites
In this case no, but most of the time they do.But they didn't say Edited Mangas are bankrupting them. They said that Edited Mangas are reducing their sales. The presence of a free alternative will turn some paying customers away, but there will be those who will still buy. You can never get exact numbers, but they're saying they're selling less than they could be.
I know quite a few people who refuse to pay for a $1 issue of Jump, in real life. These are the people they're talking about. They are not talking about going bankrupt, lol.
That was misquoted. They said they don't look at sites like mangareader to make licensing decisions. They didn't say they don't look online.I don't know that they can really argue that Edited Mangas hurt the sales.
Such a large percentage of western readers of manga read Edited Mangas, that it makes you wonder if the manga audience as a whole would be a few orders of magnitude smaller if Edited Mangas didn't exist.
The biggest reasons westerners turn to manga over anime is speed, because they want to keep up with the story. Considering that until very recently, it was rare for the English versions of manga to be released before the equivalent anime episodes, I can only imagine there would be a lot less manga readers.
(all of this being said, I understand that reading Edited Mangas is effectively stealing intellectual property and I'm not going to condone it or anything. I just think that their effect on the industry is large and nuanced, and I don't trust whoever claims it's a definite bad effect. Especially not when they follow it up with "we don't look online to see what's popular", because they're either 1) lying or 2) absolute idiots with no understanding of business.)
I'm speaking from the perspective of an American with access to legal alternatives, speaking of Americans with the same status. Talking about the Americans who will not put forth a penny for volume or an issue of digital Jump.In this case no, but most of the time they do.
In Brazil for example they do it all the time.
They may be losing some sales, but it's not as bad as they say.
The amount of people that don't pay because they don't want to is always minimal.
The large majority of pirates are people that don't have money or access to.
You can deal with the access problem by creating a fair system like Netflix. But there's nothing you can do to "fix" the money problem.
In some countries, a 200 pages tanko cost 5/6 times of what it cost in Japan. Most of these countries are third world countries where the money is already a problem.
These should not be considered a lost sale as they are not potential buyers per se.
This apply not only manga but to music, movies, etc...
The way that the industry deals with it is in the most draconian way possible.
They tend to alienate their fanbase by saying that they're at the brink of bankrupt and that all pirates are mean and bad.
But their sales is always growing so it's not true.
Anyway, in my opinion, the whole "licencing" thing is rotten.
The publisher should release it in english themselves. The price would drop and the access would be better (if they release it in a digital way).
Aggregator sites are convenient and easily to access especially in times of tablets and phone apps. Giving the people the opportunity to access manga in the most convinent way for free is destryoing the market. Only a few readers are caring for consistency and "better" translations and are willing to pay for it - and it is a legit reason I can comprehend. Just have a look at the simulpup releases of CrunchyRoll - a lot of people don't know about the free content on CR and are still reading shitty scans eg. of Fairy Fail respectively are visting aggregator sites that are re-hosting the official releases in an inferior quality. Since a third party is trying to get money out of this and is giving a damn about the artits not only the quality of scans is getting worse (filtered images, mangapanda's cleaning and translation for some titles) but also a lot of people are thinking nowadays these sites are official (no kidding). Im missing the times when you had do visit an IRC channel to get a chapter.What do they do exactly that's worse? They're just making money off of it.
Then how do they know what's popular online? Why are certain things popular online? Regardless of whether they're actually browsing aggregators regularly or not, they still make licensing decisions based on popularity, and the popularity exists due to online communities of Manga Editors. And yes, the popularity is much larger due to these sites, despite them probably being the main culprit for cutting into their profits.You twist their words there, they never said they don't make decisions based on what's popular online. They're saying they don't go to mangareader and start licensing the top trending manga of the day.
http://manga-anime-here.com/guardiansI'm speaking from the perspective of an American with access to legal alternatives, speaking of Americans with the same status. Talking about the Americans who will not put forth a penny for volume or an issue of digital Jump.
Sales are growing, but manga and anime are still regarded as a niche here.
And no, cite actual articles of them saying they are on the verge of going bankrupt. No US publisher has claimed within the past few years that they are on the verge of filing for bankruptcy or that their sales were that drastically impacted by piracy.
Like I said, they were merely saying that scans were reducing their sales, but not in this grand way you're claiming.
Licensing works like that. Limited territories and whatnot. Contracts have been complicated like that for a while. Sucks, but that's kinda how it is. I'd also opt for the publisher doing without a middle man.
That's still either a lie or totally stupid. Why wouldn't they make licensing decisions based on the manga that westerners read the most? Do they not like money or something?That was misquoted. They said they don't look at sites like mangareader to make licensing decisions. They didn't say they don't look online.
Again, I can understand that the existence of scans NOW give an option to many manga readers, and hurt some sales.The perspective about scans hurting their business is like I mentioned earlier, those people who have access to and can buy Jump for $1, but choose not to. This is not limited to Jump, but a lot of different manga. I have a lot of friends that just read off of aggregator sites, when they could buy them.
These people aren't exactly dirt poor, mind you.
Again, there are no claims of anyone saying they're going bankrupt because of piracy. Even in panels, they do not claim they're losing massive amounts of money either. Those stats are probably true, but it's probably accounting for most people who wouldn't have bought them in the first place. I'm not even sure if anyone really takes it seriously because I don't see publishers bring it up.http://manga-anime-here.com/guardians
https://mangahelpers.com/forum/show...ga-Anime-Guardians-Launched-To-Thwart-Piracy?
It's a project created by the japanese publishers, with the support of english publishers.
They don't say that they're going bankrupt, but they are exaggerating it.
100% of these "piracy research" are financed by the industry.
How to gauge interest? Emails and tweets from fans asking for a certain series? Kodansha got a huge amount of them regarding Princess Jellyfish, and ended up licensing it.Then how do they know what's popular online? Why are certain things popular online? Regardless of whether they're actually browsing aggregators regularly or not, they still make licensing decisions based on popularity, and the popularity exists due to online communities of Manga Editors. And yes, the popularity is much larger due to these sites, despite them probably being the main culprit for cutting into their profits.
We've probably gotten to the point with Viz specifically, that they can gauge public interest through their own sites and they do end up licensing a decent amount of series right from the beginning. But prior to this who can say?
There's a lot more than an aggregator site to tell what's popular. At the end of the day, maybe a certain title is popular because of scans, but fans can voice their opinions on forums (/a/, reddit, tumblr, myanimelist, hummingbird) and request via social media. So, a publisher doesn't have to go to an aggregate site to know what's popular.That's still either a lie or totally stupid. Why wouldn't they make licensing decisions based on the manga that westerners read the most? Do they not like money or something?
Yeah it's pretty much that. The argument isn't about whether or not the existence of scans would make a difference though. They're just saying their sales are reduced. Nothing more, nothing less. And of course, the example I gave is of people I know. But... it's impossible to ever know how much of an impact scans actually have, for better of for worse.That's why I'm saying you can't really understand the effect. It's complicated and nuanced. There's many factors. Edited Mangas helped the manga industry in many ways, and hurt it in many ways. It would take a lot of research (and peeks into alternate realities) in order to understand whether the manga industry as a whole would be better with or without Edited Mangas. I just think it's a very tough claim for them to make.
"Regrettably, according to a report by the Ministry of Economy, Trade and Industry (METI) of Japan, a huge number of Manga and Anime fans, over 50% of them in the U.S. and 12% in Japan, are watching or reading pirated works.Again, there are no claims of anyone saying they're going bankrupt because of piracy. Even in panels, they do not claim they're losing massive amounts of money either. Those stats are probably true, but it's probably accounting for most people who wouldn't have bought them in the first place. I'm not even sure if anyone really takes it seriously because I don't see publishers bring it up.
andProject Implementers: Ministry of Economy, Trade and Industry / Content Overseas Distribution Association (CODA)
Consultative Organization: Manga-Anime Anti-Piracy Committee
The Japanese side.Supporting Organizations: Manga-Anime Anti-Piracy Committee: Aniplex, Kadokawa, Good Smile Company, Kodansha, Sunrise, Shueisha, Shogakukan, ShoPro, Studio Ghibli, Tezuka Productions, Toei Animation, TMS Entertainment, Bandai Namco Games, Pierrot, Bushiroad