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New poll is up.
Edit: Nevermind, I edited it.
Edit: Nevermind, I edited it.
"I don't see any genre shift"It continues a romcom and I don't see any genre shift.

I agree with this. Length matters less to me than a story having the proper amount of time to be told to completion. Some stories can be 500+ chapters and feel like they ended too soon, and others can be sub-200 and overstay their welcome.I have no preference as long as the series is good. One Piece will surpass 1000 chapters and it is still good so I'm fine with it, on the other hand some series on the magazine right now I just want them to end already. XD
Well, I did put "under" for a reason. Besides, there was too many options previously.It's weird to me that 300 is the shortest category. There aren't many series that go on that long anyway, I feel like, but I definitely can think of very, very few that have crossed the three hundred line and still managed to feel strong from start to finish, and the two most notable ones, which were 329 and 340, weren't Jump series, anyway.
I hope Tosh makes another succesful manga. I love his art.
Tosh should try his hand at being a serialized writer. Negi Haruba was only the artist for one series before he came up with Gotoubun. Tosh's oneshot Our Love Counseling is not half bad. Scratch that, what about a non-H version of Harem Time?Female sports manga
Something like Keijo
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Lol and this was pretty awk but funny from the recent chapters. RING flopping & Takeshi being half of that 5 years (still good but I think he wanted to have it run for 10 years lol)![]()
AWKWARD
Shima really underestimates himself. This may be a controversial opinion, but if there's a mangaka that possibly has more potential than Inoue and Oda, it's him.Lol and this was pretty awk but funny from the recent chapters. RING flopping & Takeshi being half of that 5 years (still good but I think he wanted to have it run for 10 years lol)
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As you mentioned, three mangas in WSJ for the first half of 2018 still failed. It doesn't matter if you consider them promised, it still failed to reach audience.Legit, it strikes me how...impressive, the first half of 2018 looks in retrospective.
Like, we got two hits in Jujutsu Kaisen and Act-Age (though the latter took some time to grow) and the three that failed all had initial promise. Bozebeats had beautiful artwork (until it devolved into crappy digital scribbles) and Noah's Notes and ZIGA had unique concepts that were worth exploring.
And, in the roughly the same span of time, what did we get this year?
We got:
-A series which did have some honest promise on exploration, but lacked an interesting hook or strong pacing to garner an audience quickly.
-A disastrous mess of a come-back from Shiibashi.
-An underwhelming return for Kishimoto that has left readers feeling perpetually unfulfilled.
-A train-wreck of a shogi manga with zero direction or focus.
-An EXTREMELY generic and forgettable spokon.
-A generic and poorly recved battle manga with zero ongoing narrative.
I know you can dispute a few of those points, but I think Jump's editorial was not doing the best job this year >>
Thing is, it isn't that certain things worked out that was relevant, it was all the series from that period showed some semblance of potential from Chapter 1. Aside from Samurai 8 (which is more disappointing than anything else), I can't see what Jump saw in the March-May serializations that made them so worthy to be jump-started.As you mentioned, three mangas in WSJ for the first half of 2018 still failed. It doesn't matter if you consider them promised, it still failed to reach audience.
Even Act-Age was more a surprise success. At another time or situation, it would have been canceled.
This is not WSJ doing a worse job this year, it is that sometimes things just don't work.
Speak for yourself-An underwhelming return for Kishimoto that has left readers feeling perpetually unfulfilled.
You don't see it, but that doesn't matters, they got published at the end of the day.Thing is, it isn't that certain things worked out that was relevant, it was all the series from that period showed some semblance of potential from Chapter 1. Aside from Samurai 8 (which is more disappointing than anything else), I can't see what Jump saw in the March-May serializations that made them so worthy to be jump-started.