Mag Talk Weekly Shonen Jump [2020] - Discussion and ToC Talk

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Shinuki no Reborn

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MANGAHELPERS "TOC" POLL ISSUE #51 - VOTING!​

The poll for issue #51 is now open, vote for your favorite chapters of the week clicking HERE!

Alongside the release of Sakamoto Days, the extra series this week are:

-Dragon Ball Super 66
-Boruto: Naruto Next Generations 52
-Ghost Reaper Girl 10


Good Votes!
 
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Halloween

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Moderator Notice:
Henceforth, I will be deleting posts that complain about Weekly Shonen Jump having too many/not enough gag/battle/exorcism/sports/etc series.

These posts are not insightful, and do not meaningfully contribute to this thread. Also, this decision is not up for discussion, so posts discussing this decision will also be deleted.~ Halloween
 
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Ryuusei

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呪 僕 O マ ブ S C D 破 C B 夜 C 僕 あ 灼 ぼ チ 高 ア 森 A 仄 ぼ 次号カラー ヒロアカ アンデラ 夜桜 約ネバ 道産子 GIGA 岸本先生が描くコラボポスター 爆豪クリアファイル
Jujutsu Kaisen (Cover & LCP)
My Hero Academia
One Piece
Mashle
Black Clover
Sakamoto Days (CP)
Dr. Stone
Magu-chan: God of Destruction (CP)
Build King
Mission: Yozakura Family
Me & Roboco
Ayakashi Triangle (CP)
Shakunetsu no Niraikanai
We Never Learn
Chainsaw Man
Koukousei Kazoku
Undead Unluck
Moriking
Agravity Boys
Honomieru Shounen
Bokura no Ketsumei

Issue #1
Cover & LCP: My Hero Academia
CP: Undead Unluck, Mission: Yozakura Family, The Promised Neverland, Dosanko Gyaru wa Namaramenkoi

GIGA Preview
Collab poster by Kishimoto
Bakugou clear file
 
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101nemesis

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Oh cool. Another yearly discussion topic.
A good editor knows how to get the best out of their authors, and must be willing to criticize them, seniority be damned.

What happened with S8 is Taguchi was clearly just letting Kishimoto do whatever he wants, without giving him any input. Because anyone who read the first volume could see the problem with the series very early on, but no significant improvements were enacted further on, which was Taguchi’s responsibility to push Kishimoto in a better direction.
Samurai 8 was in the making for like 2+ years before it released. How do YOU know that it wasn't the combined efforts of Kishimoto and multiple editors in WSJ?
WSJ clearly wanted this to be the next big thing. How do you know multiple editors, including the editor-in-chief who publicly stated that he wants Kishimoto to return, were not involved?

On what basis are you making the assumption that Taguchi is the sole editor to blame?
Even for serialization meetings, the panel of editors will review multiple chapters of a series before deciding if it gets serialized or will suggest changes. How do you know THEY weren't the ones responsible for the lack of direction? What if the reason S8 didn't release for so long was BECAUSE of multiple editors suggesting changes?

People really need to stop making assumptions about behind the scenes stuff when no one has any information.
Putting the blame on one rookie editor is such a baseless thing to do for a series like S8, for which WSJ clearly had big ambitions.

Either way you look at it, don't editors have a lot of sway when it comes to the direction of the manga? If so, then an editor change is one of the single biggest things to happen, potentially, because the entire direction of the series could be altered for years.
It's up to the mangaka if they want to get swayed or not. Biggest example of this is Kubo where he publicly stated he listened to his editor for Zombie powder too much and didn't use his own ideas. Whereas for Bleach, he stuck to his ideas.

Editors can only suggest things. They cannot force you to change your content if you don't want to.
It's up to the mangaka to either take those suggestions into consideration or ignore it.
 
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Newkerzy

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It was pretty clear from Yoritomi's interview for the anniversary that he was pretty much just letting Horikoshi do whatever he wanted.

I figure this new one will be the same.
The only question is, can he have the same disposition as Yoritomi to make sure the story stays on track? Horikoshi during Yoritomi’s time was definitely given free reign to try out different things but they were always focused on seeing the bigger picture and made sure to set up all the pieces for one big payoff. If Yoritomi just let Horikoshi go unchecked, the manga’s direction would have been an utter mess, and we wouldn’t be having this great payoff in the current.

My overall assessment of Yoritomi’s tenure is somewhat of a mixed bag. There are some not-so-good arcs on one hand, and impressive arcs on the other. Some of the stuff Horikoshi wrote under his tenure was series-defining, the stuff that makes people remember for what it was, and what made it great in their eyes. Endeavor arcs and MVA come to mind (the former has been largely successful, the latter was a bold and daring direction with mixed results).

But you can't know if Taguchi was just a yes man for Kishimoto without actually being there or having info about it lol. It's just one of multiple possibilities, which is exactly the point, it's all headcanon, perhaps a realistic one, but nothing here is factual. Maybe he was a yes man, or maybe he wasn't. You're just assuming he was and passing it off as the truth.



I was trying to argue by using the same logic as the one you're using here, as in, if you want to judge editors purely by successes and flops, it's not like Horikoshi is moving from a successful editor to an unsuccessful one, they're both unsuccessful editors.
It’s up to people if they want to draw different conclusions or take it as truth. But if I’m going to strongly believe in it, then what’s it to you?

It’s a realistic conclusion, but if that’s something people will agree or disagree with, then that’s on them. I’m fine with whatever people choose to believe and having differing opinions than mine.

Oh cool. Another yearly discussion topic.

Samurai 8 was in the making for like 2+ years before it released. How do YOU know that it wasn't the combined efforts of Kishimoto and multiple editors in WSJ?
WSJ clearly wanted this to be the next big thing. How do you know multiple editors, including the editor-in-chief who publicly stated that he wants Kishimoto to return, were not involved?

On what basis are you making the assumption that Taguchi is the sole editor to blame?
Even for serialization meetings, the panel of editors will review multiple chapters of a series before deciding if it gets serialized or will suggest changes. How do you know THEY weren't the ones responsible for the lack of direction? What if the reason S8 didn't release for so long was BECAUSE of multiple editors suggesting changes?

People really need to stop making assumptions about behind the scenes stuff when no one has any information.
Putting the blame on one rookie editor is such a baseless thing to do for a series like S8, which WSJ clearly had big ambitions for.


It's up to the mangaka if they want to get swayed or not. Biggest example of this is Kubo where he publicly stated he listened to his editor for Zombie powder too much and didn't use his own ideas. Whereas for Bleach, he stuck to his ideas.

Editors can only suggest things. They cannot force you to change your content if you don't want to.
It's up to the mangaka to either take those suggestions into consideration or ignore it.
Right. 2 years.

2 Years.

You would think that in those two years, Taguchi would’ve noticed something wrong with the direction of the first two volumes. I blame both of them really. But Taguchi (and maybe other editors) had the best opportunity to improve on the story’s direction before it went to the presses.

I’ll admit, there may be a whole lot of other things that were out of Taguchi’s hands like Kishimoto developing the story with a different editor beforehand, like the way Koike helped Horikoshi build the concept and skeleton of MHA’s structure and then passed it off to Monji, while Taguchi was just given the job without much briefing. In this case, whoever was involved deserves a lot of the blame as well.

Nakano should also deserve some of the responsibility for the failure as well. Although in practice as the E-i-C he doesn’t do much in the way of an individual’s story, as someone who had a lot at stake in the series, he should’ve been proactive as well if he could.
 

AbrahamOmosun

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At least if my hero academia goes off the rails/the writing becomes bad or it becomes a masterpiece of masterpieces, with art and writing unrivaled anywhere in the world, we know who to blame for all of it–Editor-san because he is the one doing the writing, storyboards and art and Horikoshi is just a back seat driver to his all powerful editorial whims. Warning: This is an extremely sarcastic post. Insert tounge in cheek here to enjoy fully.

Seriously though can we change the topic?
 
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101nemesis

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Right. 2 years.

2 Years.

You would think that in those two years, Taguchi would’ve noticed something wrong with the direction of the first two volumes. I blame both of them really. But Taguchi (and maybe other editors) had the best opportunity to improve on the story’s direction before it went to the presses.

I’ll admit, there may be a whole lot of other things that were out of Taguchi’s hands like Kishimoto developing the story with a different editor beforehand, like the way Koike helped Horikoshi build the concept and skeleton of MHA’s structure and then passed it off to Monji, while Taguchi was just given the job without much briefing. In this case, whoever was involved deserves a lot of the blame as well.

Nakano should also deserve some of the responsibility for the failure as well. Although in practice as the E-i-C he doesn’t do much in the way of an individual’s story, as someone who had a lot at stake in the series, he should’ve been proactive as well if he could.
Why do you think that they felt anything was wrong? What if everyone in WSJ thought the way S8 was serialized was the best it's been?

What if everyone made suggestions but Kishimoto didn't listen and said he wanted to stick to his own direction? Editors cannot force Kishi to change his manga. What if he said, if not for his way, he won't serialize? What if that was the agreement for him coming back within a few years of Naruto's end?

Again, there are literally endless possibilities of what happened behind the scenes. I'm not sure why you're insistent on reiterating these assumptions when none of us has any information.
 

Newkerzy

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Why do you think that they felt anything was wrong? What if everyone in WSJ thought the way S8 was serialized was the best it's been?

What if everyone made suggestions but Kishimoto didn't listen and said he wanted to stick to his own direction? Editors cannot force Kishi to change his manga. What if he said, if not for his way, he won't serialize? What if that was the agreement for him coming back within a few years of Naruto's end?

Again, there are literally endless possibilities of what happened behind the scenes. I'm not sure why you're insistent on reiterating these assumptions when none of us has any information.
Oh, I don’t know. Aside from the fact that as editors, they are essentially readers just the same as we are, as well? Only difference is they actually have the means and opportunities to steer the mangas’ story to better engage the readers’ interest when they’re heading into a negative trend.

If us casual readers could notice the problems early on, couldn’t there at least have been ONE guy to speak up and say “hey, this manga’s pacing got some problems with it. Couldn’t you switch up the tempo?” Or something like that?

If this was a case of the ENTIRE editorial department being completely blind or ignorant and overconfident, then they ought to deserve all of the blame along with Kishimoto. Taguchi’s just the guy who was the best-positioned to prevent the fall. If someone did try to warn Taguchi and Kishimoto, but ignored them, then that’s completely on them.

Again, it’s up to people to believe what they want to believe. If people will disagree with me, then that’s fine. I consider this a realistic possibility, but it doesn’t have to be taken as the truth by others either.
 
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101nemesis

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Oh, I don’t know. Aside from the fact that as editors, they are essentially readers just the same as we are, as well? Only difference is they actually have the means and opportunities to steer the mangas’ story to better engage the readers’ interest when they’re heading into a negative trend.
If editors could accurately deduct what the trends were and what would work and what wouldn't, we wouldn't have so many series failing each year.

Pretty sure we'd only have MHA level successes at the very least, if that were case.
 

savethecat

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Oh, I don’t know. Aside from the fact that as editors, they are essentially readers just the same as we are, as well? Only difference is they actually have the means and opportunities to steer the mangas’ story to better engage the readers’ interest when they’re heading into a negative trend.
Even if you were to assume editors play such a huge role in a series’ success or failure, editors aren’t godly being that just know exactly what needs to be changed and what doesn’t.

Shonen Jump has way more failure new series than successes, and always has. They don’t pick up a new series fully expecting it to fail.
There are probably plenty of axed series that all of the editors at Jump thought were absolutely fine until it was too late.

And either way the mangaka is also responsible for their own series. They don’t HAVE to make every single change an editor suggests. That’s how you get a messy arc like Cell Saga. Just like it’s an editor’s job to suggest changes, it’s a mangaka’s job to decide which changes are and aren’t necessary.
 

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If editors could accurately deduct what the trends were and what would work and what wouldn't, we wouldn't have so many series failing each year.

Pretty sure we'd only have MHA level successes at the very least, if that were case.
I just think that speaks to the relative experience of each editor. The more experienced ones would have already developed a better feel of what might work and what might not. Koike and Monji were already experienced veterans with 5+years under their belt, if I recall. Taguchi’s only got 4 under his and all of his mangas were failures (AB is also not looking hot, either).

I only wish the best for Taguchi, and hope his past failures doesn’t get him down and to use them as a learning experience. Doesn’t mean I won’t be skeptical of him, though. I’ll be happy for him if he and Horikoshi do well from here on.

Even if you were to assume editors play such a huge role in a series’ success or failure, editors aren’t godly being that just know exactly what needs to be changed and what doesn’t.

Shonen Jump has way more failure new series than successes, and always has. They don’t pick up a new series fully expecting it to fail.
There are probably plenty of axed series that all of the editors at Jump thought were absolutely fine until it was too late.

And either way the mangaka is also responsible for their own series. They don’t HAVE to make every single change an editor suggests. That’s how you get a messy arc like Cell Saga. Just like it’s an editor’s job to suggest changes, it’s a mangaka’s job to decide which changes are and aren’t necessary.
Agreed. Some might succeed, some might not. In Kishimoto’s case, he had good ideas with Naruto at the beginning, but Yahagi made him better. Some others may just succeed better with minimal input from their editors.
 

KagamiKuroko

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How are the current MHA and Stone volumes doing compared to the previous one?
 

Ryuusei

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How are the current MHA and Stone volumes doing compared to the previous one?
Both are down, but not by much.

|253473 (3)|419628|476641|514210|534604┃*,534,604 (**31)┃2020/07/03|My Hero Academia 27
|228529 (3)|412772|--------|--------|--------┃*,412,772 (**10)┃2020/09/04|My Hero Academia 28

|*89044 (3)|153080|174709|--------|--------┃*,174,709 (*17)┃2020/07/03|Dr. Stone 16
|*79953 (3)|145530|--------|--------|--------┃*,145,530 (*10)┃2020/09/04|Dr. Stone 17
 

James Rye

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Has Dr. Stone already reached his peak after the first anime season or might it still climb after a 2nd one?
 

yadayada

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MHA 28 seems to be following the same trend as MHA 24, which also had tickets for the popularity poll, with a not great week 1 (relatively) but surprisingly good legs.
 

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Has Dr. Stone already reached his peak after the first anime season or might it still climb after a 2nd one?
Series reaching new peaks with subsequent seasons is pretty unusual, My Hero Academia is an exception. I find it hard for Dr. Stone to grow even more. That being said, Dr. Stone's boost wasn't even because of the anime, but it was because of a TV show.
 
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Halloween

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Since the current editor discussion is entirely speculative, I ask that we all move on from it until there's more concrete information available.
 

101nemesis

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Series reaching new peaks with subsequent seasons is pretty unusual, My Hero Academia is an exception. I found it hard for Dr. Stone to grow even more. That being said, Dr. Stone's boost wasn't even because of the anime, but it was because of a TV show.
Would've been interesting to see if TPN new season that was supposed to air next month would've helped it reach new peaks but now that it's in Jan, I don't know if we will have enough volumes to see a noticeable change.
 

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Would've been interesting to see if TPN new season that was supposed to air next month would've helped it reach new peaks but now that it's in Jan, I don't know if we will have enough volumes to see a noticeable change.
Isn’t that a bit early though? Wouldn’t it make more sense to see a boost during its airtime?
 

101nemesis

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Isn’t that a bit early though? Wouldn’t it make more sense to see a boost during its airtime?
That's what I mean.
It won't have any new volumes out when the anime airs (unless I'm wrong), so it won't be possible for us to see if it would reach a new peak or if the 2nd season would've just helped the volume sales be stable.
I know we can see approximate placements from Shoseki if the volumes come back into the charts, but we wouldn't necessarily get the whole picture and numbers there.
 

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For those that didn’t get the memo, new chapters are out now on MangaPlus because of the early Friday release.
 

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I can't tell what kind of series Blood Oath wants to be.

Ch 2 felt like the kind of low-key story you'd see between arcs as a breather a year into the manga, rather than a critically important follow up to the intro.
 
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