- Joined
- Jul 6, 2011
- Messages
- 15,572
- Reaction score
- 39,843
- Age
- 34
- Gender
- Male
- Country
-
3 out of 6 days, if we get a 4th day, Yozakura has a chance to get a 5th week! i thought it was done for now lol
I agree with you completely, I wanted to write about this for sometime nowAudience and passiveness.
Jump's circulation keeps decreasing by every quarter, which means less and less people read the magazine now, which is obviously logical to happen given the amount of juggernauts the magazine doesn't have anymore. The issue with this is that, what you'd find logical to do in this situation is to release new and appealing stuff that can take over the place of those already finished series. But instead, and for some reason, we have kept getting serializations that keep dragging on without any sings of improvement be it on popularity or sales. And yeah, I'm referring here to the U19 meme and how keeping that quick and aggresive system could be actually better for a magazine that needs attractive series that reanimate its current state. The fact that as of now we have series that are going for 4, 5 or 6 volumes showing no actual sign of catching wider audiences just means there will be less new serializations that could try to recover that audience. That is, the longer you keep a series/product already known by your audience, the quicker the interest of the magazine will be lost. You can't just force your audience to read something for 40 chapters until it finally ends. The audience will reduce their interest to just a few series that they may be able to skim without even buying the magazine, and call it a day.
Is letting series stay for a good while to see if they improve something that could actually work? Yeah, but I don't think it has been working at all, and results and numbers are clear proof of it. I think it's completely plausible to be more aggresive, to cancel stuff that doesn't show any signs of improvement by its second volume. No need to go all tryhard and have everything U19'd, but just keep stuff that actually gathers interest.
The best example you can put here is Jump+, a platform that has both hits and flops, since Kaijuu and SPYxFAMILY are not the only series on the platform, and there's quite a lot of content that's appalling. But the difference relies in that there's a frequency of new serializations, and that is new series every single month. The audience in the platform knows that, even if 4 out of the 5 series from X month are bad, Y month will bring 3 new series which may have something they may enjoy, and hence the platform maintains a value the magazine doesn't by overextending series. People may not remember, but J+ has a lot of its juggernauts also ending soon (Jigokuraku, Abyss Rage, Boukyaku Battery, Akuma no Memumemu-chan...), but given the platform keeps releasing new and constant content, I think the transition will be way easier.
Of course the argument of they can't be picky because they're losing big series exists, but I just think that's more of a reason to keep trying new stuff. And honestly, we have examples already of series that are successfully landing to discard the idea of needing God knows how many volumes until the series show results or end.
I think the idea of "waiting" is something that could work in a few cases, but still it won't make up for how the magazine currently is, which is just losing more veteran series and losing an audience that may not stay with the current content it offers. And saying just serialize actual good stuff is an easy and stupid answer to the problem. Bring new content, and try new stuff. Even if you end up becoming some kind of revolving door, it's just what I think the magazine needs until it finds stability.
remember when World Trigger sold +100k during anime run and people called it a flop and demand its axing?I'll bring the card before someone does.
Other than a drop in standards (Remember when we mocked the 40k club?),
those youtubers are still considered "shonen jump insiders" and "credible leakers" to this very dayRed Sprite had the "Its replacing Bleach" thing going on in the internet at the time



Viz curse is super strongDecent hold for everything nameworthy except for Ghost Girl. I'm pretty bummed out to see it tanking as badly as it is since I thought it was both well-drawn and funny.
While is true, it should be noted that Jump+ has now had two massive first week sales for vol 1s in the span of 2 years. Which is something Jump hasn’t had for a while.As far as I understand, if a series is equal to or above 10K of sales, it is safe. It is not considered a success but is saved.
As magu and roboko are comedies it is good to sell above 10K. I don't remember a gag with Roboko selling that much.
I didn't follow PSI kusuo so I don't know what his sales were like.
Phantom seer in theory is bad, but there have been complaints about lack of stock, I personally will wait to see if there are reprints as it happened with Magu chan and roboko.
The million-dollar debate surrounding J+ hits have been this: how much of the main magazine factor into their serialization in J+? Are these serializations caused by the main magazine passing them over because of a lack of confidence in them? Or are they passing them over to J+ so they can honestly grow the platform?While is true, it should be noted that Jump+ has now had two massive first week sales for vol 1s in the span of 2 years. Which is something Jump hasn’t had for a while.
I’m not a marketing expert. And I’m sure a large contribution to this is Jump Plus being a free online platform, with a different audience. But it does seem like Jump is having an issue with their standards for a hit going so low imo.
I highly doubt Jump+ series are series that were passed over by WSJ.The million-dollar debate surrounding J+ hits have been this: how much of the main magazine factor into their serialization in J+? Are these serializations caused by the main magazine passing them over because of a lack of confidence in them? Or are they passing them over to J+ so they can honestly grow the platform?
If it’s the former, then that’s a stunning show of ineptitude and oversight on the editors’ part.
Another added bonus is, it greatly cuts down piracy/leaks. By cutting out the distribution process in the middle and delivering it straight to readers, leaks are no longer a problem. We all know the reason why we keep getting leaks, and that’s due to the holes in the distribution process that Jump has largely ignored up until now.I highly doubt Jump+ series are series that were passed over by WSJ.
Jump+ is likely a very appealing platform for mangaka, and probably more comfortable to work in over WSJ. Sure cancellations are still a thing.
But there appears to be more flexible scheduling, and more creative freedom.
For example, I’m almost certain that Kafka from Kaiju No.8 would definitely be ages down if it were a WSJ series. Maybe no to a teenager, but definitely a young adult around 18-20 at the very least.
I’d imagine having his protagonist in his early 30s maybe important to the mangaka, as he’s likely in that age range himself, and is likely writing the character from a place of relatability.
Even though WSJ has 50+ years of history, I think it’s plausible that Jump Plus is just the more attractive platform right now. With digital manga/comics and WEBTOON format becoming bigger each year, and Jump+ Continuing to collect successes, I’m willing to bet that 5-6 years from now Jump+ maybe be a bigger platform than WSJ
Especially with One Piece probably ending in the next 5 years
Fire Force I would say that this year the chance to finish in the top is at stake.What are your predictions for best selling mangas of 2021? I have problems ranking 8 to 10...
1. Kimetsu no Yaiba
2. Jujutsu Kaisen
3. Kingdom
4. One Piece
5. Spy x Family
6. My Hero Academia
7. Attack on Titan
8. Kaijuu 8 (Not sure)
9. Tokyo Revengers (Not sure)
10. Fire Force (Not sure)
My guess is :What are your predictions for best selling mangas of 2021? I have problems ranking 8 to 10...
1. Kimetsu no Yaiba
2. Jujutsu Kaisen
3. Kingdom
4. One Piece
5. Spy x Family
6. My Hero Academia
7. Attack on Titan
8. Kaijuu 8 (Not sure)
9. Tokyo Revengers (Not sure)
10. Fire Force (Not sure)
There's literally no way KNY doesn't end #1... The manga will sell easily over 25m again.My guess is :
1. One Piece (With 4 volumes)
2. Jujutsu Kaisen
3. Kimetsu no Yaiba
4. Kingdom
5. Attack on Titan (Backlogging now that the series is over)
6. My Hero Academia
7. Spy x Family
8. Kaijuu 8
9. Shangri-La Frontier
10. Tokyo Revengers (Assuming it's anime will premiere by Summer at the latest)
I agree with the 6 first position, maybe One Piece 3th if there is 4 volumesWhat are your predictions for best selling mangas of 2021? I have problems ranking 8 to 10...
1. Kimetsu no Yaiba
2. Jujutsu Kaisen
3. Kingdom
4. One Piece
5. Spy x Family
6. My Hero Academia
7. Attack on Titan
8. Kaijuu 8 (Not sure)
9. Tokyo Revengers (Not sure)
10. Fire Force (Not sure)
There is no way that One Piece can return to being first.1. One Piece (With 4 volumes)
I can totally see where you're coming from, and very much everybody. If I would predict the numbers roughly it would be like this :There is no way that One Piece can return to being first.
Kimetsu already alone with the sales this month will be first, One Piece should have a scary recovery to reach him .....
Demon Slayer will probably have enough sales from its final volume and its backlog by January to cement it getting the top spot again. And if a second season is announced/starts later in the year? Expect another boost in sales across the backlog. Compared to the first season, the rest of the series has many more hype moments that could get the episode 19 treatment and give a domino effect of sales boosts for the next several years until the adaptation is complete.I can totally see where you're coming from, and very much everybody. If I would predict the numbers roughly it would be like this :
1. One Piece - 10.5M with 4 Volumes and a small backlog after Vol. 100 hits the shelves
2. Jujutsu gaining 5.5 Million more in backlogs and selling 4 more volumes with 900K getting to 9M
3. Kimetsu's final volume selling 4.75M and has a backlog of 4M
4. Kingdom reaching the same sales as this year. No anime increase
5. Attack on Titan selling 4M with it's final 2 volumes and has a backlog of 2.5-3M
6. My Hero Academia selling 6M including backlogs from both the season and the movie.
7. Spy X Family selling 4.5M with 3 volumes going at selling 1.1M and a backlog of 1.2M(I don't know if it's even possible)
OP had 4 volumes + Stampede in 2019 and sold 10.1m. Since then, its sales per volume have reduced. vol. 100 should sell slightly better, but it's not gonna create a backlog boost.1. One Piece - 10.5M with 4 Volumes and a small backlog after Vol. 100 hits the shelves
Well, this'll be easy to prove wrong, we just gotta have to wait a few weeks.3. Kimetsu's final volume selling 4.75M and has a backlog of 4M
Attack on Titan volumes haven't reached 2m per year in a long time. Its final 2 volumes will sell 2m, not 4.5. Attack on Titan selling 4M with it's final 2 volumes and has a backlog of 2.5-3M
Bruh...Kimetsu sold 5 million backlog in the month of November alone. It's not going to sell just 4 million backlog in 2021.. Kimetsu's final volume selling 4.75M and has a backlog of 4M