I like their style of work/ethic/culture and want to preserve it as much as possible. It's a preference of mine.So when I see some French animator ofc its going to bother me a bit.
First of all, what is your obsession with French people? There are Americans or Russians working in the industry too. Second, you're literally implying outsiders are inferior and can't replicate their style of work or ethic (hence you wanting to preserve it) when there's already examples of many outside animators such as Bahi JD (top animator at studio Trigger) able to keep up with their production. Stop flip flopping so much. Third, why do you think outsiders working in anime industry will ruin their culture? Foreign animators have been working in the anime industry for more than a decade.
You'd be surprised how many Japanese feel more or less the same way about me.
Nah, I'm going to call bullshit on this unless you have someone from the anime industry with these opinion. The fact that an old fashioned and strict company like Toei allowed French animators like Ken Arto or Mehdi Aouichaoui to work on Dragon Ball Super Broly movie clearly indicates the opposite of what you're saying.
I clearly stated this in my first post and it's very clear that I want this industry to keep its identity. (maybe you can say I said it in a mean way but idrc)
It pisses me off how you use vague words and terms to dodge the issue. What identity are you talking about?
Which is why I like the bollywood analogy as it is relevantly similar to the Japanese animation scenario.It's part of their cultural identity so why would they want foreigners, especially far out of asia working on it?
The bollywood analogy was wrong to begin because there are already foreigners in the Indian film industry such as Katrina Kaif who is one of the most top paid actress in India. Also, no, it's fucking not similar. Unlike in live action where race, skin, language, gender actually plays a huge role in deciding the casting, none of those matter in the animation medium. All you need is a pair of hands, good drawing skill and understanding of the animation medium.
You can think of this mindset as a traditional way of thinking, but there's totally nothing wrong with wanting to preserve/protect an industry that's deeply rooted in said country's culture. With Japan it's animation/manga and India would be films/dramas/music(?). It's not poor wording on my end, everyone else here understand its not racism aside from you. Quit reaching so much to frame me as a racist.
It's not a traditional mindset but backwards thinking you bellend. You've been consistently avoiding to explain WHAT you want the animation industry protected from by using vague terms like "culture" and "identity" and without elaborating how an outside animator would have any side effects on those two. If you can't explain why you get bothered without bringing up their race then you shouldn't be surprised by being called a racist because you're discriminating.