She had her fun with the guy and then killed him by slicing him into two.
Your misinterpretating my posts again. I never said my argument wasn't about screen numbers. I said my argument isn't about "more screenings equal more money" like you've been misinterpretating all the time like here.
My argument is Toho probably expected more due to the huge marketing push and big number of screening. Not that it's not successful or profitable already. I even said they'll make more despite it.
You're getting confused.
Choco you have problem where you misinterpret and assume anyone who says something not 100% positive regarding MHA's performance in any form of media as an attack towards its success. Similar to Iceking with Black Clover but to a smaller degree. This entire discussion is an example.
How is it a big screening number when its the same as every mainstream animated film released within the last decade? Do you just in general not what to admit you were wrong every time someone points out a counterpoint? If you have to argue semantics to prove a point you already don't have a leg to stand on.
And you just seem to attack MHA's performance in any form of media being not "good enough" based on your own made up criteria. Where is your data that shows Toho's projections for the movie other than your own shortsighted bias for the series? Much like @Bigivelfhq you just seem to have a problem whenever MHA gets brought up or if its not flopping like you want.
Speaking of misinterpretating posts you quoting an article that only includes 5 years worth of data and missing data at that when my statement was about the Japanese film industry as a whole doesn't make you right.
>same as every mainstream animated film
No shit. It says right there in my post after 2012. Do you perhaps not know how to count?
Where's your data?
So you are just arguing semantics then? Alright. Good job not including Conan, Doraemon, Pokemon, Yokai Watch etc. but I guess that would have killed your argument.
Just so you know you do realize that there's more than 70 Japanese domestic releases from the past 5 years right?
Better than Nisekoi for me
Think the general reception of WNL on this forum was better than Dr. Stone's. So I'd say go for it.
As far of staples of this genre goes its very inoffensive with a charming premise that honestly doesn't need the romance aspect to it since the story of highschoolers tutoring one another is amusing in itself.
Thanks. I read it when it started for about 10 chapters or so.
Nisekoi > WNL don't @ me.
You misspelled Heji's name
Isn't it still early? ToC leaks seem to be Wednesday evenings at the earliest now (can't say I've ever seen it this early on a Tuesday either). Sometimes the issue after a break leaks early but I think that's usually the December ones not Golden Week and Obon.
Not me. He doesn't have enough talent and also caved into his editor. His GFC winning oneshot was a lot better, but he didn't have the skills to serialize the concept. Instead we got a Great Value version of Blood Lad. Very disrespectful to readers.
I may be in the minority, but personally I believe every artist who gets published in Jump, whether it be a One Shot or failed series, has the potential or chance to make a great series. It's just a matter of whether or not they can come up with a good enough idea.